Transcript (auto-generated, may contain errors; songs left out)
I'm Ezra. I'm Stizza. And we're Leftover Crack. You're listening to Sound Scene Revolution.
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brought to you. It's two parts, I guess, of one interview, or second part of a two-part series. Last week we interviewed the St. Catharines while they were at their Cracktober stop in Santa Cruz, and this week we have an interview with Leftover Crack, who we're headlining that tour. More specifically with Stizza and Ezra, who are Sturgeon and somebody else, but his real name is not the Stizza. But we'll find that out eventually in good time. Anyhow, we got a bunch of questions with those guys that most of them they answered pretty well, I think. And we have a contest for a copy of their new album, or latest album, Fuck World Trade. There may be something else thrown in there, but for the time being, we're just giving away that CD. So you probably have it downloaded somewhere now as your chance to own a legitimate hard copy, so you can pretend like you bought it and impress all your friends. All you gotta do is listen to the end of the interview, and we'll tell you how to enter to win. First off, we're gonna play a track, and then we're gonna jump into the interview.
We are going to play Feed the Children, and then in parentheses, Book of Lies. It is off their album, Fuck World Trade, because for various reasons, as you will learn, we're not able to play any of their stuff off of Hellcat. And there's a couple of different reasons that Stizza, or Sturgeon, if you will, states for that. So stay tuned and find out, and yeah, be sure to listen to the whole thing.
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Vets Hall in the van of Leftover Crack. If you guys can say hello. Hello. What's up? Um, yeah. So if we could start, I guess, just introduce yourself. What you do in the band? I'm Stizza Crack. I sing. I'm Ezra Crack. I play guitar and sing sometimes. I play guitar sometimes. When you get the urge to. When we're missing people. We trade, but we do it very mediocrely. That's the word. Sometimes that's all you need. So how's the, I want to ask how the tour's been going with you guys so far. Really good. Yeah. We're about a weekend so far. We've only had one smash window break in. And one flat tire. No riots. So we're doing all right. That's not too bad. How have the crowds been all right? Yeah. We've sold out all the shows except for Richland, Washington. Really? Which is in the middle of nowhere. Yeah. That was, everywhere else has been good. We started in Boise and made our way across Seattle and then now down the West Coast. So we'll go as far as Tijuana. Yeah. I was hearing you guys were going, you guys are going to go down to Mexico after this? No, we're just doing one show in Tijuana. Oh, just doing one show in Tijuana? If that's considered Mexico, I don't know. Mexico-ish. It's across the border. It's across the border. It's kind of like college Mexico because it's where all the college people are. White man's Mexico. Yeah.
We call it little U.S. Yeah. United States. Very nice. So I guess you guys were doing the photo shoot today for the split with Citizenfish. I want to ask how that came about, how you guys ended up working with them and how it ended up landing on FAD. Well, we actually, we played, it was the last show of our last U.S. tour. Well, we played a few shows with the Subhumans. Yeah, we were playing with the Subhumans. And Sizzfish were on the tour. I mean, they were there all, but not all. Most. But a couple of guys stuck behind, like Dick and Jasper, stuck behind in Milwaukee and our last show was in Milwaukee. And me and JP, our drummer that plays with us a lot, but he's moved to Arizona. He's not with us now.
He's a huge Citizenfish fan. The first punk show I went to was Citizenfish. Sure. And, uh, me and JP. Got up and played a song together. Yeah. Me and JP were looking at each other at a coffee shop the morning of our show and Jasper was there and we're like, what are you doing here? He's like, we're sticking in town another day. And, and me and JP looked at each other and we're like, well, you want to do a Citizenfish song? So I, uh, I, I, I know, I know most of their songs. I don't know how to play them all, but Jasper showed me what he knew. I play guitar, Dick sang, Jasper played bass and JP played drums. And we had Citizen Crack do one song at the Leftover Crack show and kind of snowballed after that. We've been buddies since.
Awesome. Are you guys going to be doing, uh, any songs together on the split or is it going to be entirely separate? It's separate, but we're covering each other's tunes. Like we're doing a, uh, uh, Citizenfish and a Subhuman song and they're doing a Choking Victim and a Leftover Crack song. Oh, wow. How many songs is it, or how many tracks is it going to be overall? Do you know? Fifteen. Oh, wow. So it's going to be eight, seven split? Uh, we have an intro. Oh, okay. So it's seven, seven. All right. Excellent. Um, one of the things that has been brought up a lot is, I guess, is, um, one of the original issues that you guys had when you were with Hellcat was, uh, over the original artwork and title for Mediocre Generica. Um, I've heard a lot of people discuss it, but no one's ever mentioned what the original concept for the album was supposed to be. Can you guys talk about that?
Uh, the original concept, the original record title and cover was Shoot the Kids at School and it was basically my arm holding a gun and we took pictures of that and I cut it out and I found a picture of children in a schoolyard kind of playing and I kind of, I cut it out and Xeroxed it and I pasted it and it looked like I was right there and that was going to be the cover and then, um, Hellcat flipped out and, uh, they weren't into it. Oh. And, uh, so censorship ensued. Mm. Is that kind of why you guys ended up going with the obvious title and the banned photo for the cover of it all? Yes, exactly. Mediocre Generic. They wanted Mediocre Generic artwork and they wanted a Mediocre Generic title, so I called it Mediocre Generica.
I guarantee you the irony was lost on Epitaph. They had no, they don't, they did not have a clue that those guys don't pay attention unless something jumps out at them, like, shoot the kids at school. Yeah. So, um, I mean, needless to say, it seems like you guys are much happier doing what you're doing now instead. Yeah. Totalamente. Yeah. How, now, was it a huge step going from that to, like, Alternative Tentacles where they're letting you have pictures of Bush and Cheney blowing up the Twin Towers and fuck World Trade as your album title? Were you ever really expecting that to be able to happen? We just figured, we didn't have a plan. We didn't know if we were going to be signed to any label. Yeah.
We recorded ourselves and, um, honestly, I would have liked to just have the World Trade Center on the cover, but I knew that wouldn't fly with anybody. Yeah. So I was like, oh, if we disguise it as anti-Bush propaganda, then, uh, we can get it out there. Our label will put it out, so, I mean, you know. Yeah, we were, we were, we're really happy with Alternative Tentacles and we were lucky to have them, you know. I mean, they're putting out the vinyl for this thing coming next time. Yeah, they kind of did it when nobody else really would, you know, so. AF Records was interested, but I don't think that, uh, I felt a little hesitation on their part. And so we, that's why we went to AT. That's awesome.
Uh, how did it happen that you're, the, uh, Split, the CD at least, is going to be coming out on FAT? Did they just contact you about it? Oh, um, Citizen Fish was already on FAT, I think, and, uh, I had heard that everybody at FAT liked our band. And then I had heard that, that Mike might have been interested in the record, but, uh, he was on the Warped Tour, so he was going to be gone for a couple months. And we didn't really know, so I called Brian from the Bouncing Souls and said, he was on tour, on the Warped Tour also. I said, Brian, tell Mike that if he wants to put out the split with Citizen Fish, he has four days to call me. So he called me, like, three days later. Plus Brad, our guitar player, is, like, good buddies with all those guys.
Yeah. In no effects. He's in the punk rock mafia, a group that me and Ezra are not a part of. Yeah, we were X'd out of that, but, um, it's actually, it's funny, because, uh, we thought FAT hated us because we were in their offices, like, what, four years, three years ago? Four years ago? Something like that? Oh, fuck, always. And, uh, we didn't, uh, get the warmest reception from them, and, so. I was mostly Mike, and he doesn't believe me, but, uh, I told him that he totally blew us off. Like, our friend Chicken, who's indebted to me, and he was the mailroom guy back then, he, um, he introduced us to Mike. Me and Ezra were there, and, uh, Mike just looked me up and down, and he didn't say a word he walked away.
I was like, what the fuck? Whoa. Give us, give us, give us the punk rock sneer. Yeah. He doesn't believe me. So after that. He thinks I'm lying. He thinks I made it up. I'm like, oh, yeah, all right. I made that up, sure. Well, it seems things are at least on a little better note with you guys now, so. Yeah. No, we're, we're happy to, I'm happy to be on fat. I've always, there's a lot more bands on that label that, that I like or have liked in the past, and then on, you know, Hellcat or any of the other, like, major indies. Yeah. Um, oh, speaking of Hellcat, I don't want to keep bringing it up, but it's the first chance I've ever had to talk to you guys, so. I've never had a chance to ask these before, but I've read that, uh, the song Gay Rude Boys Unite was in part a reaction to Hellcat releasing or signing, uh, homophobic artists or content.
Is there any truth to that? Yeah, I mean, it was a combination of a lot of things, but pretty much all of them had to do with Hellcat. I, at the time, um, I was at Tim's house, Tim Armstrong's house for some reason. I stayed there, like, one night or two. I was, I was homeless, so, um, he grudgingly let me stay over, and, uh, soil is, like, nice place. But anyways, um, his, uh, Buju Banton's manager was there, who's this, this girl from, I don't know where she's from. I assume she lives in Jamaica, because that's where he lives. Um, and Buju Banton's famous for being homophobic, like, and I was asking her about that, like, what's up with that? And she's like, yeah, like, Shabba Ranks, who's, like, a huge dancehall reggae artist, like, he apologized for being homophobic.
Probably. And, uh, and she's like, yeah, but, and she thought, like, you know, like, I was homophobic, apparently. And she's like, uh, yeah, but Buju Banton, he never apologized. And I was like, oh, yeah, right. Way to go. Like, she wanted me to give her a high five, I was like, okay, uh, all right, and so Tim really wanted, uh, Buju Banton to be on Hellcat, but Epitaph kind of ended up stealing him for anti-records. And there's a couple other bands on Hellcat that had, uh, questionable lyrics. Yeah. And, uh, so I kind of took a bunch of stuff. I took a lot of Op Ivy references and put them into the song. And kind of the music is kind of almost the same thing as, uh, as, uh, yelling in my ear. Yeah. And, uh, you know, so I was just kind of poking fun at them.
At the time, like, we weren't enemies, but I was really, uh, this is before we had any problems with the artwork, and I was just really disappointed in what I was seeing at the label in general. Just the attitude and, like, this kind of sexist punk attitude that, like, like, Rancid and, like, Lars and the Bastards, like, propagate. Yeah, I mean, I haven't seen U.S. Bombs record cover with naked women on it yet. But I'm just saying that, yeah, U.S. Bombs was part of it. I mean, one of their songs called Don't Need You off of Warbirth, you could, like, look up the lyrics, tell me what you think. Yeah. Um, is it homophobic or not? Um, uh, uh, what's his name? The singer, U.S. Bombs, told me that... Peter or Dwayne, or Dwayne Peters.
Dwayne Peters. He told me that it was meant to be against something else, but, you know, a 15-year-old kid gets a record. He's not gonna know what the fuck he's talking about, you know, and they're just gonna see it for what it is, basically, is a homophobic song. Yeah. Well, that, well, I want to talk more about you, but actually, you touched on something really important, and it comes up a lot, actually, with you guys, too, is, is it strange, too, that people take your music, especially, so extreme in one way or another, where you have kids who will be at this show who, like, love and hang on every word you say, and then you have other people who just want to, like, crucify you for that? Does it seem strange that over, like, just what you're doing, people get so involved in it?
I don't know, I think, uh, it just has to do with being honest or being brutally honest. Nobody's really brutally honest about shit, so people don't know what to think. We tend to put our minds on our sleeves, I guess. Yeah, I mean, you know, um, all, most of our lyrics are, like, uh, really tongue-in-cheek, and, like, you know... Part of them. Yeah. Some of them. Some of them. Well, a lot of them are serious, too, but, you know, it's like, um, I don't know, it's like, we have a free speech table this tour, and we have, like, pamphlets from, from, uh, you know, lots of different, lots of different, um, organizations, and, uh, you know, we try and put some white power stuff on there, too, because that's what free speech is all about, right?
And, you know, it's like kids, I think kids... We have white power stuff? Well, that's what Alec told me. We don't try and put white power stuff. I haven't visited the table yet, but... Really? I'll go check it out, but do we, we really probably shouldn't have white power stuff on the table. Well, the point is that kids that come to our shows are smart enough to know that, you know, that, you know, to, to leave that shit alone and realize that they're full of shit, and, you know, it's like Nazis can, Nazis can preach about how the Holocaust can happen all they want. I mean, honestly, I believe... It's like makes them look like bigger idiots, you know? I believe that, I believe in every person's right to free speech, Nazis included, but I am not about to put, uh, Nazi literature on our, on our free speech table.
Is that what Alec calls it? Because Alec doesn't really know what the concept of free speech is. I was just in the room this morning, and they said, maybe they were joking about it, but... Probably. Yeah, you should pay attention. I think it'd be interesting just to put one book, like, in the middle, like, put mine for you, or, like, right in the middle for some reason. My struggle biased is a crack. There you go. Alright, we're gonna take a little break, breaky break, in the interview to play you another song off of, uh, Fuck World Trade. As always, stay tuned at the end, we have an opportunity for you to win a copy of Fuck World Trade on CD, and maybe something else, but in the meantime, I'm just gonna keep it to that.
If we get something before the end of the contest, I'll give that out too, but for right now, we're just gonna post that. But, uh, before we get back to the interview, we are going to play another track off of their album Fuck World Trade, and it is going to be the song Rock the 40 Ounce, because it is a short song, and it is a short title, and it is easy to say. So, uh, check that out, and be sure to listen to the rest of the interview.
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Basically, like, I don't know, read the lyrics to Gabriel Boys Unite, because, I mean, you're basically just paraphrasing them. Yeah. And I don't know what you want me to say. Ha. I already wrote that song, you know? We'll play the song there. It'll be a nice way to, uh, wing it with that. Do you guys, uh, have any feelings about the upcoming midterm elections coming up? Do you have been paying attention to it at all? No. I don't vote. We don't. We don't vote. You know, I mean. Maybe some people in the band vote. I don't vote. I'm saying you and I don't vote. Yeah, we don't vote. I mean, as long as, you know, until I feel that there's somebody that represents me, you know, which is probably never, you know, I'm not going to vote, because.
Fair enough. Do you guys, um, with the last election, especially, I mean, I know you said you didn't vote, but you had to notice almost all the time in the last election, they continually mentioned 9-11 in the World Trade Center and bringing it up, like the Republican Party, especially as like a point of pride of this is what we got to unite over. I mean, you guys were probably a lot closer to it than most of America, and you probably have seen a lot of the effects of it. Does it bother you that the conservative Republican side uses that kind of as their leverage? I mean, everything bothers me. Everything. I mean, the, yeah, I don't really want to talk about politics. Yeah, I mean, that's a really broad issue.
It's so fucking broad, and it's just like, yeah, it all fucking bothers me. We're against everybody. Yeah, television bothers me. Politicians bother me. Democrats, Republicans, they all bother me. Yeah. Everything they do bothers me. Fucking, they're all full of shit. You know what I'm saying? We hate everybody equally. Yeah, exactly. Starting with ourselves. Yeah. Well, there you go. As long as it's equal opportunity hate, I think it's probably going to be all right. Are you prejudiced if you hate yourself more than everybody else? That's a good question. Only if you do harm to yourself, and then it's a hate crime. What's the sound of one hand clapping? Yeah. All right. What's harm? Drinking? I don't know. Cutting yourself?
Probably cutting yourself, but that's just because that's a lot of work. All right. I want to ask, because this has come up, I was reading on you guys, and a lot of times on the MySpace blog mentions that you guys may not be up to a lot after this tour, and you're not even totally sure you're going to make it through the tour. Is there anything you can elaborate on on that, or just general? We'll take it one day at a time, you know? Yeah. I'm just being pessimistic about the future. Yeah. I usually write those things mostly. We're constantly on the verge of splitting up, and every tour is our last tour. I mean, honestly, I think we actually get along better than most bands, but it's just the dynamic is, it's just rough, man, every night.
Yeah. I think that there's a lot of creative people to be in one band, and I think we all need other creative outlets from time to time. So, you know, I think Surgeon wants to do his own thing for a minute after this tour, and, you know, I do. Here, I can, I got it. Elaborate. Yeah. Here's the thing is that Leftover Crack, we have like 40 songs or some shit. Yeah. 30, between Crack Rocks A7 and Leftover Crack, we got like 35, 40 songs. Yeah. And every night, I make a set list, which I should be doing right now, but when I'm finished this, I will. I appreciate that. I make a set list, and I have to fucking decide which songs, I mean, I think most of our songs are good, personally. Yeah. And I think we only have a few songs that are shitty, so there's several songs we never play, but there's songs that we have to play every night, and then there's songs that I like, that people want to hear, everybody requests something different.
And, if we make another record after the split, we're going to have 50 songs, 55 songs, like, it goes on and on, and it makes it harder for me to make a set. I figure, I want to do another band, have different songs that are similar, and then come back, play Leftover Crack shows, playing our songs. Like, I just started doing Choking Victim shows with the original members of that band. We just play Choking Victim songs, so Leftover Crack, X, et al., are Choking Victim songs, we do, like, one or two a night tops, and it's like, there's no room for them anymore, and now there's hardly any room for all the Leftover Crack songs, so we need to do different stuff and keep Leftover Crack what it is. I just don't like it when a band has a million songs and they only play their new record, you know, you go see Neurosis, and they play their new record, they don't play anything, and there's Neurosis, Pain of Mind, Neurosis, Word is Law, Souls is Zero, all these are my favorite records, Enemy of the Sun, and these are all five records to go, and fucking, they never play any of those songs, and, like, I'll never be able to see them, because Neurosis keeps doing new shit.
Yeah. I'd like them to stop, do a different band, and then come back to Neurosis, play those songs, so when I go to a Neurosis show, I know I'm going to see at least a song or two from these old records. Yeah, yeah, yeah. You know what I mean? That's cool. Now, I was actually going to mention, I read an interview a while ago when you guys released Mediocre Generica, and you said you were getting sick of the name Leftover Crack, and you were thinking of actually changing it just because you were thinking of it. Yeah, I mean, you know what, this tour is weird, because it's the first time we're selling at every show we play at, and there's too many people, and it stresses me out. I don't like it. I like it to be smaller venues, less people, like to be able to talk to people and not have to hide from 500 people.
I like to be able to talk to our friends and fans, whatever, and it's kind of coming to a point where I can't do that anymore, and so I'd like to do something else where less people will show up, hopefully, which would definitely, I mean, definitely, less people will show up. If you guys just sucked, not that many people would show up. Yeah, I don't want to suck either, though, you know what I'm saying? Man, we don't get that much time on this world, you know, why make bad records? Do you want to make a bad record now? Ezra's a perfect example. Ezra's not going to make a bad record because he's fucking got talent, you know what I'm saying? I don't know about that, but... I don't know if you've got to hear the Morning Glory shit, it's all good, good songs, just like, hardly any filler.
I was going to ask how Morning Glory's going to still functionally, active. Yeah, yeah, well, you know, our drummer left recently, like, went and, you know, had a kid, yeah. Our drummer. Our drummer, yeah, we were very incestuous, New York's a very incestuous music scene, and, yeah, he split and had to do the family thing to Arizona, so... And, you know, everybody knows drummers are crazy and erratic fucking people, and they're really hard to find, and they're usually already in three bands, so we've kind of been looking for another good drummer, but if I can't come up with somebody by, by, like, December or something to, you know, I'd like to do some recording after this tour, and I'm probably going to hit up Aura and get more incestuous about it and see if he'll just play some, play on some tracks for me, you know, even though he doesn't know that yet.
The great thing about Aura is that you could give him, Ezra, it doesn't matter, because Ezra can fucking program, like, a drum machine and shit, and fucking, it doesn't matter how crazy the beat is, it could be something that nobody could play, and you could give it to Aura, and then the next day he'll show up and he'll play it exactly how it is. That's true. So it's like, it's not really any skin off his back, you know, like, plus he gets to be on another record, he gets, you know. Yeah, it's good for him. Yeah, exactly. It's good for everybody, because he's a great drummer, so. But other than that, like, yeah, I'd like to do some recording this, this winter, and hopefully have something out by the summer, and maybe do a little tour at some point there.
Or maybe we'll do a tour where, uh, our new bands, or Mowin' Glory and my next band, because my next band's supposed to have R in it, too. I just need R to record. Right, and then you'll get another drummer, I'll get R for the tour. And we'll go on tour together or something. He's gonna kill us both. He's gonna be like, oh. He's gonna be overworked. Yeah, dude. He's in the Slackers, too, you know. Oh. And he's in the Slackers, and they tour fucking, like, they just had to get a second drummer, because he's on tour with us sometimes, but, like, every time he leaves us, or comes and meets us, it's a day after a tour. Like, second he's done with this tour, he's going on tour with the Slackers. Yeah. It's always like that.
Does he have a plate, like a permanent address, or is he just wherever he... Yeah, it's in New Jersey, with his wife and kid, but... Really?
Yeah, she's a really cool lady, and, I mean... She does our art layouts and stuff. You know, our, you know, he's said to me a couple times that he's, like, you know, he would commit to leftover crack, except that we're such a tenuous band, and we're so unstable, we're, like, ready to break up at any minute, you know, and so he needs that fallback for, you know, with the Slackers or whatever, you know, that's the way he makes a living, that's what he does for a job, and, you know. It's good to have one that, you know, you can do for a living, and... But he's a drummer, he's crazy, you know, because you can't figure him out, man. They're like girls, dude, they just... You mean the females, or are they, like, the equestrian species?
I'll never figure them out, I have no... They're, like, the equestrian species. Drummers are a total... They show up on dry land, and you're like, oh my god, bow down. A total mystery to me. And then they cut off your head. I'm talking about horses, man. Horses and drummers. Fucking horses. Indigenous quarterfans. They scare me to death. No, they don't. I love horses. I just don't think people should ride them. It's like, you know, that hurts. It's gotta hurt. Someone on your back all day. I wouldn't want it. No way, man. Bareback. Yeah. Alright, well, I think we're gonna wrap this up so you can get onto your set list. Is there anything else you guys want to add before we take off? Websites you want to push? Things coming up?
I heard that orange is a new pink. And I read that Punch Somebody in the Face. The record is Baby Punchers, is our new song that's on the 7-inch with Meltdown by Citizen Fish. And that's already out on F.A.T. And on March 6th, supposedly, our full-length split, which is called Deadline. And it's got a Sisyphus Us. It'll be on Fat, on CD, and Alternate Tentacles on vinyl. Excellent. March 6th, hopefully. And maybe we'll do another tour right then. A little short one. Excellent. Well, we'll keep an eye out for that. Far away from here. Far away from the West Coast. Yeah, well, we can't keep going to the same places every tour. Yeah. I'm gonna route something where we go to places we've never been, I think. Cool.
Well, good luck with all that, man. Yeah. Thanks. Alright, man. Have a good one. Take care. Alright, I hope you guys all enjoyed the interview and everything that went along with it and shit. We got a couple of contests still running that we haven't closed yet. We got the Strike Anywhere Contest for a copy of Dead FM and a poster and some other free swag with them, so you can enter that one if you want. We also still have the St. Catherine's Contest. These will be open for at least another week, so be sure to check in on that. And listen to the last about eight minutes or so of those interviews to learn how to enter to win. Oh yeah, the St. Catherine's, if you enter, you can win a copy of Dancing for Decadence and a large St. Catherine's t-shirt.
It only comes in large because that's the size Hugo gave us. So if it's too big, shrink it, and if it's too small, lose weight. You always needed motivation. St. Catherine's, I've given it to you, fatty. Alright, now, moving on to this week's contest, we have a copy of Fuck World Trade from Leftover Crack. We may get a copy of the 7-inch, of their split 7-inch with Citizen Fish, and if we do, we'll give that to you as well. Well, that's entirely in the air at the moment. But, if you want to enter to win, what you do, send your name, information, and the subject line, Leftover Crack Contest, to SoundSceneRevolution at gmail.com. That's all one word, SoundSceneRevolution, spell it, use spellcheck, all one word, at gmail.com.
And to make sure that you were listening, in the subject of the email, we had discussed that Leftover Crack had originally been mostly, four-fifths of Leftover Crack had been a band called Choking Victim, and they decided to change the name to Leftover Crack, and Stizza had mentioned they were thinking of changing it again. And we want you to help us decide what the name should be. It won't actually be their name, per se, but we're looking for a name that's possibly worse than Leftover Crack. So think of the absolute most abhorred band name you can think of, because there's not much in the book worse than Leftover Crack, and Flock of Seagulls is already a band, so you can't use them. But something pretty shitty.
And we will take your shitty band names and put them in a hat, and whatever shitty band name we draw out will win for this week. So that's the contest, and yeah, that's been this week. Next week we should have a brand new interview, and new free stuff to give away to you people, because everybody likes free shit. And before we take off, we're going to play one last track off of Leftover Crack's Fuck World Trade. We'd like to thank those guys for taking the time to sit around and talk to us through taking drinks out of something in a fucking paper bag, and something else that was in a crystal geyser bottle that looked like urine. So I don't know, they're drinking brandy and piss, I guess, onto, or it keeps the throat healthy.
But before we take off, we're going to play one last track off Fuck World Trade. We're going to do their duet with the World Inferno Friendship Society, which is called Soon Will Be Dead, because we have permission from World Inferno to use their material as well, so we might as well use it. Check it out, and be sure to tune in next week when we'll have brand new amazing shit for you guys.
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