Transcript (auto-generated, may contain errors; songs left out)
This is Frank Turner, and you're lucky enough to be listening to Sound Scene Revolution.
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We are here this week. We've got a brand new show, a show I'm really, really excited about, with an artist you may know by the name of Frank Turner. For those who don't know Frank Turner, originally from the England side of the world, maybe you've heard of it, across the pond. But he played in a bunch of punk bands, did all that. Now he does a bunch of singer-songwriter type stuff. Really a fantastic musician. I was really excited for this show for two reasons. One, a big fan of his music. And two, about a year ago, Frank did a series of two weeks in California, which is where I live. Now you know too much. But he did about two weeks in California, and the closest he came was 140 miles away on a Wednesday night.
And so I didn't get to see him at all during that time. So this time he played in San Jose, two miles from where I live. And so now you know a radius of where I live. So that's a little scary. But he played really, really close to my place, and he agreed to do the interview. And he was pretty awesome. I was super giddy. I was schoolgirl giddy. You know when middle school kids get to see High School Musical on Ice, and they're flipping the fuck out. And they're screaming, and they're really excited for Zac Efron and that chick that showed her bush on the internet. I was that giddy. So it was a big day for me. And Frank was super nice, and the show was great. And the interview, I think, went pretty well. He was really hungry, so he had to do it at a restaurant.
But hopefully you guys can live through the fact that I'm eating a salad while this is going on for the second half. All right. Well, we got some music coming up, and then we're going to go to the interview. We're actually going to play, I know what we're going to play, because I've been listening to Frank completely nonstop before this show. So we're going to start by playing Father's Day by Frank Turner, which I think is off his album Sleep is for the Week. I'm pretty sure, yeah, it's not off his latest one, but it's off Sleep is for the Week. Enjoy it, and enjoy the interview, and we'll be back.
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Say hello. Hi there. So how are you doing? I'm good. I'm a little bit recovering from yesterday, and I'm very hungry, hence the pizza joint. Hence why we are at Pizza Chicago right now. Yeah, it's kind of weird being in Pizza Chicago in San Jose. My American geography is kind of short-circuiting right now, but... It's, uh... We like... Americans tend to like anything that's not from where they are. If it's from somewhere else, you feel like it's got to be better. And so, even in San Jose, we have Chicago-style pizza. Well, I've never been to Chicago, so I'm going to base my entire preconceptions about the place on this restaurant. This is exactly what it's like. Exactly like Chicago. Verbatim. So, I guess the easiest place to start is kind of your musical history.
How you got where you are today doing what you do. Well, I grew up in the UK listening to kind of metal originally, and then kind of like punk and hardcore and stuff. And played in thousands upon thousands of useless, useless punk bands. As, you know, as everybody does. Yeah. With a selection of god-awful band names, and so that was fun. And then kind of the last of that little selection was a band called Million Dead, who were perhaps not god-awful. Yeah, I think we were right. Yeah, we were kind of like a sort of like angry, kind of like political, hardcore kind of band. And we did our thing. We taught four years, and we kind of got around the place. We put out a couple of albums and, you know, played a whole bunch of shows.
And that was cool. And then the band fell apart because we all decided that we hated each other's guts on careful consideration. And so we went our separate ways. And, yeah, I just kind of decided that I was bored of screaming at people who didn't know with my shirt off and all that kind of thing. And I thought, I don't know, I guess with time, my taste in music had kind of moved in a different direction. And I wanted to try my hand at doing something a little more kind of stripped back and a little more chilled out. So I started playing kind of acoustic music and touring that. And that was four years ago, and here we are. Here you are in Chicago and San Jose. Yeah, right. It's going well, clearly. Yeah, it's gone well for you, I can see.
So when you guys, you mentioned that you hated each other's guts. Do you guys still feel that way? No, no, no. As long as you don't play together, you're all right? I'm sad to say that there's one member of the band who I still, I've actually never seen him since band broke up. And I have no desire to. You're all right with that? Yeah. There's a lot of bad things went down. But the drummer, I've known him since I was a kid. And our friendship is stronger than just one little kind of hissy fit. Yeah. So that's good. I mean, it'd be kind of shitty that way. Yeah, yeah. But I mean, such is life, do you know what I mean? And the old cliches about being in a band, being like a relationship, are very true. So yeah.
And we were, to be honest, looking back on it now, I think we were totally dysfunctional as a band from the word go. So it just kind of, somehow we had enough kind of like energy to sustain ourselves and like enough momentum to carry on for four years. But we never talked to each other. We were the most passive aggressive band in the entire world. It was just four people being passive aggressive. That's going to be hard when you guys are in a van, you know, going across to the country. Yeah, a small van driving around Europe and, yeah, no fun. And everyone not saying what they really think and just giving each other evils. Well, see, definitely in this situation it's better because if you don't like someone, you're like, hey, I'm Frank Turner.
So I'm the talent. Yeah, it's great. And the UK, well, in fact, here today as well, I've been playing, I play with a backing band a lot of the time. But it's kind of different because I'm the dictator. So, you know, my iron will rules the band. There you go. Everyone subscribes to my discipline. So, you know, it's a different kind of setup. Yeah. So was it, was it one of those things, was it strange at all when you began to start playing acoustic? Was it, I mean, did you originally start with a backing band or did you originally just start by yourself? Which I actually decided to kick it off in style with, I did, I got on this whole kind of like Woody Guthrie trip. And I spent 18 months traveling around the UK on the train, just playing shows every day, sleeping on people's floors and like hand to mouth.
And I had my guitar in a rucksack and terribly romantic and that wore off pretty fast. It was cool though, you know, and I kind of, I learned my chops, do you know what I mean? And it kind of really knocked me into shape, I think, as a songwriter. And because, you know, this is a new style of music for me. I'm not one of these people who's going to claim I'm going back to my roots by playing kind of an older style of music, you know? My roots are Black Flag and Winter Threat. But yeah, so, you know, really, it was kind of, I'm kind of glad I did it, but I just damn don't want to do it again. Hell no. You've done the touring for 18 months, living on people's floors, not really looking forward, don't want to go back to that.
No, no, I'll skip that bit if that's alright with you. I think that, I think you've earned it at this point, so. Well, was there anybody who, like, knew you from your previous bands who came and saw you and was kind of like, what the fuck is this? Well, thanks to the magic of MySpace and the internet, I think that, you know, people were generally, if people came to the show because they were into my old band, which quite a lot of people did, I think they would have, you know, had some forewarning of the fact of what it was going to be like. I think, you know, in general, when I kind of sort of announced to the world that this is what I was going to do, a fair few people did kind of go, hmm. But, you know, and the thing is, and legitimately, I'm sure there's a whole, well, there is a whole bunch of people who are into my old band who don't like my solo stuff, because, you know, they were into the kind of the heaviness and the aggression and the screaming and the loud guitars and stuff, which is totally fine.
But in the UK, like, a really surprising, a really gratifyingly large number of people made the jump, which, yeah, makes me feel good about myself. Nice, yeah, I would imagine. Awesome. So, kind of on to your more recent stuff, going from where you started to where you are now. You recently did the 7-inch for reasons not to be an idiot. Yeah. And on that, there was, I don't know if it was the whole run or at least 300 that you actually, you wrote a reason on each. Some moron came out of that idea. It was truly. I was going to say, was that hard to do after, like, 40? Yeah. Well, this is the thing, man. Basically, we did, the whole run was 300 and we, yeah, we hand numbered and then we did a different reason on every single one.
And, I mean, it's a pretty kind of a bleak thing, a reason not to be an idiot anyway. Yeah. It's kind of, it's not really. So, having had the idea and it sort of got okayed and it all got pressed up and I kind of went, oh, damn. So, I did a, I was on tour in Europe for six weeks with a band called The Gas Anthem and I had the 7-inch covers in a box and I was like, I had this plan that I was going to do, like, a few a day and kind of sort of get them. Didn't really work. Eventually, I just kind of, like, did it, just sat down in Milan of all places in Italy and just, like, binged, got drunk, basically, and just sat down and just, like, you have to kind of, like, stream of consciousness there. Do you know what I mean? There's, like, and, yeah, we did it. You know, it worked. It's cool and it's quite funny when there's a discussion forum on my website and the kids on there are trying to, like, collect a full list of all the reasons and stuff.
Nice. And they've got about, they've got about a third of them so far. Nice. Is there one that particularly stood out that you thought was good or they all just kind of. Number 300 was, reason not to be an idiot was because you'll end up sat in the back of a van in Europe trying to come up with 300 reasons not to be an idiot. That's a pretty good reason. I like that one. Yeah. But, that's cool. I'll have to check that out on your website. I got one, but I don't, I'm going to lie, I'm going to be honest, I can't remember what it says right now. So, I'm a little embarrassed, but. You should, you should, you should. But I own it, so. You should get on the forum and add it to the list. I'll check that out. They're desperately trying to get the full list together.
Get all 300 of them. That's kind of cool. Is it strange at all to think that there's people out there that are, like, that in your stuff that they're, like, they want to get, I mean, even these, like you said, these ramblings that you did drunk in the back of a van, like, that they're all trying to collect them. Is that kind of, is it surreal in a way? A little. Well, it's, it's encouraging. Yeah. That would be another way of putting it. Yeah, it is. And I mean, you know, something that I'm always keen to kind of emphasize in everything I do is that I don't, I don't accept the division of labor between kind of star and fan, performer and audience. I think that's nonsense, you know what I mean? Pretty much everyone who comes to my shows will do something like, you know, do, do interviews or do scenes or play in bands or do photography or whatever it might be.
You know, everyone's got their own thing. And I mean, that's just in the narrow little world of music. Everybody's got their own thing they do outside that. And sure. Okay. So if I'm playing a show, that's kind of, that's my evening to do my thing. But the minute the set's over, you know, who cares? Like, I mean, it's, at the end of the day, being someone who plays guitar is really not that kind of sort of remarkable or kind of like, it's not like I'm a doctor saving people's lives. Do you know what I mean? Like, so, so yeah, you know, I do, with all this stuff, kind of try and emphasize to like, the guys who are on that forum and stuff that, um, food, that's that guy. They're bringing the food, so. Do try and emphasize to that guy, to those guys that, um, that I don't, you know, hold myself above it or anything.
I mean, I'm, to be honest, I'm, I'm a regular poster on the forum myself, do you know what I mean? I get involved in it. They will actually generally take the mech out of me the whole time, so. Very cool. Um, what am I looking at here? Sorry, I'm going to go to the list of questions here, because I got a little sidetracked. Oh, hold on, they'll bring the rest of the food. Thank you very much. That looks awesome. That looks good. Does everyone got silverware and whatnot? Okay. I think we do. All right, cool. We can get the sound of eating on this. Yeah, so you're going to get the sound of people eating salads here, so. Everybody, no, I'm good. Thank you. Oh, yeah, please. Thanks very much. Everyone's getting a little bit of that in the microphone, so if you hear it, don't worry.
It's going to be the healthiest thing I've eaten in about a month. That's how we do it in San Jose. We take care of you in Chicago, San Jose. All right, we're going to take a quick break. Actually, I think that was like right when the guy brought our food, so it worked out really, really well. So, take a quick break, play you some more music by Frank, and then jump back into the interview. The track that we're going to play here, let me see, I'm just kind of flipping through my mental catalog of the songs and seeing what would go well, what would people like, because you've got to give people the good shit. If I play a shit song and you hear it, and you're like, fuck, I'm not listening to that band because of that song, I've screwed up.
I've screwed that guy out of a listener, it's a lot of weight on my head, keeps me up at night, but let's just go, we'll just go with the simple, the hits, I guess. We'll go with, I believe it's called, I knew Perfrock before he was famous. I'm going to say that's it, I'm totally fucking it up, I'm sure, but let it go, don't let this be like a Gaslight Anthem thing, don't be like the Gaslight Anthem fans who are all anal about shit. Let it go that I mispronounce the name of the song.
Lawrence Arms fans are like that too? Was that the one? It was like a thousand years ago. Oh, right, right, yeah, don't be a fucking Lawrence Arms fan, don't be a Gaslight Anthem fan. Let me mispronounce the fucking name. And smugly and silently to yourself, go, I'm fucking better than that guy. Do that, don't fucking voice it, because if you voice it, it makes it cheap and fucking shitty. And if you keep it inside, you can know forever that you're better than me. So do that. Alright, this is Frank Turner, then we'll jump back into the interview. Peace.
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Suburban Home Under the Influencers, which was the cover of Thunder Road. How did you get hooked up with that? Well, I think it was just through, I did a tour with Chuck Reagan last year. And I also, you know, fake problems in Mexico, friends of mine. And it just sort of seemed to be one of those things that was kind of, like, bound to happen. You know, everyone was kind of, like, coming in from the right angles and stuff. And, yeah, so Virgil sent me an email and said, hey, do you want to do it? And I said, hell yes. And especially when he suggested teaming up with Austin Lucas for it, because Austin's amazing, like, totally amazing guy. Yeah. He was actually just here last week with the Tim Berry tour.
So, and he'll be here next Friday. So you guys are like ships passing in the night. Well, if you see him, say hi. I will. Actually, I'm planning to go to the show next week. He's super rad. But I'll suck up to him later. So, right now, you're the focus of attention right now. So, anyhow, so yeah, was that, like, Virgil suggested that you do it with Austin Lucas? And you were like, yeah, sure. Yeah. Well, he sort of said, you know, we'll team you up with somebody. And annoyingly, my first suggestions were Tim, Barry, and Chuck Reagan. He said, well, they're doing, they're both involved, but they're doing it with each other. So, that was the end of that idea. But, and then, yeah, he said, yeah, Virgil suggested Austin, and I thought it was a great idea.
And, yeah, I'm really, it's a really cool series to be involved in. It seems very kind of now. Do you know what I mean? Like, it's a cool little thing. Yeah. Well, I mean, it's really interesting. I don't feel like there's been a lot that's collected and kind of cataloged, like, these people, like, the people who are popular in this kind of, I mean, they're not all from one genre, but it's all kind of, like, people of one band are generally fans of most of the other ones. And it's kind of a cool little experiment. Yeah, definitely. No, it's a cool thing to be part of. Also, having Mitch Clem do the artwork was just mind-blowing. You know, for me, the fact that I have a Mitch Clem drawing of me as Bruce Springsteen is like, I can die happy now.
Do you know what I mean? Doesn't get much better than that. Well, especially because, I mean, he's one of those guys who's been around forever, too, and so he's got that weird little cult following status, so it's got to be pretty exciting. But, so, you were in America. How long are you around for? The tour that you're currently on with Look Mexico and all that? We arrived for South by Southwest, which was just over a week ago. And I think I'm leaving just over a week from now. So, this run of dates, we go up to Portland and then kind of work our way across to Denver. I think Look Mexico going from Denver, but actually my older sister lives in Denver, and I don't get to see her very often. So, I'm going to spend some family time, which is a rarity for me.
So, I've booked myself a massive two days off. A whole 48 hours, huh? Getting lazy. My mind boggles. But then, yeah, when I get back to the UK, I'm going straight into rehearsals for my next album with my band. Oh, wow. Which we're recording in May and releasing in September. Wow. So, you should have another album out before the end of this year, and your last one came out mid-last year, didn't it? Yeah, I'm doing an album a year at the moment. Wow. Yeah. That's pretty impressive. Yeah, well, the thing is, at the end of the day, for me, it's kind of like the songs are there. And I've had this conversation with my label a number of times where they've kind of suggested that I kind of like slow it down or chill out or whatever.
And it's kind of like, what's the point? Do you know what I mean? You know, if it's there, Strike Well Earned Hot, you know? Plus, also, if you look back at kind of like the 60s and stuff, like, you know, Neil Young put out like four albums in two years, you know? And people just, I think it's kind of, that's perhaps excessive, but, you know, I think that this whole thing now where bands spend like two and a half years doing records, to me, seems completely crazy. It's just like, you know, it's ten songs at the end of the day or twelve songs or whatever. There's not enough to sustain you for two years or it shouldn't be. Maybe if you don't have a lot of ideas coming to you, but it seems like you're doing quite a bit, so probably a little more inspiration than most people.
I'm churning out the songs like a factory. So, speaking of, I know a lot of people, because of the popularity of vinyl right now, want me to ask, are any of your full lengths getting the vinyl treatment, either abroad or here in America? The answer is yes. But the problem I have in answering this question, and perhaps some future questions as well, is that I'm basically about to seal a deal with a new label for the States, but I'm pretty sure I'm not allowed to talk about it right now. That's fair enough, don't worry. I'm going to have to be all cryptic and tap the side of my nose and all the rest of it, but yeah. Hopefully, given time. Yeah, well, I mean, I'm incredibly excited about it. I think it's the best label, the coolest deal, and hopefully people will agree when we get the chance to announce the news.
But yeah, so there'll be stuff like that. Actually, in the meantime, you know, oh, I've kind of forgotten his name. Your man from Less Than Jake. Vinny from Less Than Jake runs Paper and Plastic Records, and he's doing the first three years as a 12-inch. Nice. Which, yeah, I'm super excited about that, actually. Yeah, I'm in fact, I have no idea when that's actually coming out, but it should be sometime pretty soon. And it's obviously a really cool label, cool guy to be involved with and everything, you know, so yeah, I'm very happy about that. Yeah, I don't know if you've gotten to see any of the other stuff that they put out, but I mean, they discuss the labels, you know, it's the music and then the presentation is the art.
And I mean, the packaging on a lot of their stuff is really just phenomenal. I mean, the music's good, too, but that's all subjective, I guess. The artwork for the, they've kind of rejigged the artwork a little for the 12-inch format, and it looks fantastic. That's cool. That'll be really exciting. And so, yeah, I mean, Paper and Plastic, from my understanding, things get done. I don't think they've ever announced when something's, they say, you know, coming soon, and then one day it's out, so people will keep an eye out for it, I'm sure. Or there's enough people on the internet who discuss vinyl that someone will figure it out. It's funny, I've never been a vinyl nerd. Really? Just never, never captured me somehow.
Well, you're how old? 27. Yeah, so you kind of fell in between the gap of when it was initially popular and the resurgence. Yeah, no, totally. I mean, I'll tell you what, I'm hugely unfashionable than this, I'm a CDs man. I just, I really like CDs, and I know it's kind of ridiculous, and I'm clinging on to my old, my old gods as times change, but hell, I like CDs. I like any form of physical music, so I'm the same way as, I don't know almost anyone who buys CDs anymore, and it's kind of weird, but, yeah. Then it's a great time for me, because it means that everybody's, everybody's selling off their CD collections, like secondhand, secondhand CD stores. It's your perfect time to swoop in. It's a bomb right now, yeah.
Great stuff. Yeah. I go to secondhand CD stores, but I mostly get stuff that I would be embarrassed to tell people. I bought, like, the best of the gin blossoms, but that's, dude, I probably shouldn't say I'm embarrassed to buy it and then announce that. I firmly believe that you shouldn't be embarrassed about any music that you like. No. It's just taste at the end of the day. It's not the liking it part, it's the shit that someone will give you for it, but eh, you deal with it. Fair point. Fair point. So, I wanted to mention that a fair amount of your, not a fair, but a couple of the songs on your own definitely deal with growing up and not being, like, the 14-year-old ideological kid who, there's these very clearly defined lines when you're that age of what's right and what's wrong and kind of all of that.
Was there a specific time in your life that you really recall kind of going from that to where you are today? And, you know, how have you kind of dealt with that as, you know, someone who's not 14 with a leather jacket and a mohawk? Well, my ideological black and white time actually got quite intense. I worked and ran with a lot of anarchist groups in the UK and I was doing that kind of through until I was about 19 or so, you know, throwing bricks to cops and all the rest of it and, eh, pointless nonsense. Um, but I, I guess, um, I don't know, it's a gradual process, I suppose. I do remember there was, there were big marches against the, um, the Afghanistan war in the UK and I remember going on those marches and, um, the anarchists turned up as the black bloc, all like in balaclavas and all that kind of thing.
And it was just nonsense because it was a march full of a huge variety of people, including lots of kind of, you know, middle class, you know, you know, politically centrist kind of people who were just completely intimidated by this bunch of like essentially posturing teenagers wandering around in balaclavas and stuff. And I, and I just, basically at the end of the day, I think something that I realized is that there's nothing worse in this life than political grandstanding. Um, at the end of the day, if you can't write down on a piece of paper in one sentence, how, what it is you're doing is going to make the world a better place, then you're essentially just masturbating in public. Do you know what I mean?
Almost all far left, far left. Which isn't bad either if you've done it. But you know what I mean? It's like almost all far left politics, to be blunt, is basically just a way of trying to advertise to the world how right on you are, you know? And it's just like, you know, discussion groups about like Palestine or whatever in a coffee shop in London or whatever. It's kind of like, no one in Palestine cares. Do you know what I mean? And you're not changing anything for them. You're not doing anything. You're just, you're just, yeah, just showing off to your friends about how, who can be the most politically correct. And, um, I just think, I think that's just, it's all, it's almost worse than annoying. It's actually almost kind of like offensive.
Do you know what I mean? It's just kind of like, yeah. So, I guess that, that was kind of the, the realization they had. Sorry, one second. Oh, hold on. Your phone's going off.
No, no problem. I was going to say, if you wanted to take it, don't worry about our account. But if you don't want to talk to the person. I do not want to talk to him. We're not going to make you. Don't worry. All right. All right. Very, very fair. So, uh, I think we're going to wrap it up. We got a good amount here. But I want to ask, uh, two more things. The one that, the one thing is, uh, being, uh, that you have an English accent here in America, uh, do you get laid like crazy when you come here? Um, well, a man should keep his cards close to his chest. Um, actually, you know, right now I have a, a wonderful long-term girlfriend and I'm a faithful man. So, not, not on this tour. Fair enough. But, um, it must be said, I have a, um, I have a friend called Rich Stafford who's from a town called Nottingham in the UK.
It's like in the Midlands and it's a pretty depressing town and he's like the most, he's a great guy. He's really funny, but he's very depressing, downbeat, like everything's awful. You go on Midlands, Midlands accent, everything sucks. And, um, and, uh, and he's a kind of just a grumpy, downbeat guy. And in the UK, like he struggles, but he came over to the States for a while to work with a band out here. And he was just like drowning in, in women. And, um, he was calling me up and saying, it's not bad out here in Yanksville. It's not bad, he said. So, uh. Works out pretty well. Yeah. So, I guess, I guess, yes, it, there's a strong streak of Anglophilia, shall we say, in this country, which is, uh, just fine by me.
Yeah. I'm sure no one who comes over here is going to complain. So, if you're American, uh, work on your fake English accent and see how that goes. That's a secret. All right. Also, I should say, please do work on it, because most Americans, kind of, English accents are just unbelievable. In particular, and if I may pick a particular offender, that, the, the, the nanny or whatever she is in Frasier, it's just an embarrassment of an accent. It's just like, that is, isn't, isn't she Welsh? No, she's supposed to be from Manchester. Oh, okay. In the show. Oh, okay. It's not a Manchester accent. It's just a really bad parody of a Manchester accent. That's what we love. But, you know, it's kind of, that's a great show.
Do you know what I mean? And it's just, it's always kind of grates a little bit. I mean, they could have just hired someone from Manchester. Do you know what I mean? It's not like it's hard to find. Someone who would want to work on a TV show. Yeah, right. Exactly. So, small, small complaints. No, hey, it's good to know. I have no idea. But, that's because everyone in California talks perfectly. If you ever ask any of us, we are the only people on earth with no accent. Yeah, yeah. But I'm not seeing it. It's unbelievable. I don't know how it happened. But, so before we wrap up, is there anything else you want to plug? Anything coming up? Any tours? Any shows? Anything like that? I think the main thing is that, yeah, I'm going to be working on this new record and getting that in September.
And there's going to be, I think I'm going to be back around the States in September with Gaslight, actually. We were talking about it. We had kind of drunken conversations about it, which actually magically transformed into sober conversations about it. I don't know how that happened. Long enough. It'll happen. Yeah. So, yeah. So, I think that's going to, I think we're going to do that. And that should be, that should be great because they're a great band, really cool guys, really great bands. So, they'll be a fun tour. There's a few people out here who know about them. You know, they're just, they're, they're, they're going to, I see big things for them one day. But, all right. Well, I want to thank you so much for taking the time.
And let's try and wrap this boot up and get you in there for mic check. Yes, good stuff. All right. Thanks very much, man. No problem. Thank you.
Yeah. So, that was the whole interview. I hope you liked it. And I hope if you're ever in the San Jose area, you will try Pizza Chicago. They didn't give me shit for saying that, but they're pretty fantastic. It's, it's pricey. It's not Little Caesars. It's not $5 one topping large. It's, it's a pricey pizza joint. But they're pretty good. And they're not real Chicago style pizza. Where it's the big deep dish crust and cheese on the bottom and shit on top. It's not like that. So, it's really kind of a misnomer, but they're really good. So, check that out. Um, that's the end of our interview. The end of Frank Turner's thing. Uh, we'll talk to you guys next week. Send us emails. SoundSceneRevolution at gmail.com.
On MySpace. On the comments section. And we'll get back to you. All right. We appreciate it. We appreciate your time. And we'll try not to fuck it up in the future. Except for song titles. We will probably always fuck those up. So, sorry. It's what you get. Uh, last track we're going to play is, uh, it's kind of a downer. But it's a really good song. It's called The Ballad of Me and My Friends by Frank Turner. I hope you like it. And, uh, we'll catch you guys all next week. Thanks.
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