Interview with The Falcon and Red Scare - Podcast 36

This is Brendan from The Falcon. Hey, this is Neil with The Falcon. You're listening to Sound Scene Revolution. Thanks for listening. Drive safe. And you're listening to Sound Scene Revolution. Just to reiterate.

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Thanks for tuning in to Sound Scene Revolution this week. We have a pretty large show for everybody who's listening today. It's basically... It is The Falcon, I suppose, but it's Red Scare as well. And Justin from Punk News kind of shows up. So it's a lot of people are basically involved in this. We have Justin from Punk News, Toby from Red Scare, and then Neil and Brendan from The Falcon, who also Moonlight and another band you may know of called The Lawrence Arms. So we have kind of a big extravaganza of a show, and it's kind of a clusterfuck to make out, and it's probably going to be pretty hard, but hopefully it'll all work out. And if you are listening, at the end of the show, we have a contest where you can win some stuff from Red Scare.

We don't know what it is yet, but Toby agreed to do it, and hopefully he wasn't too drunk to remember this time. So he'll send it out. So we'll have that at the end, and if you want, you can enter to win in that. We'll probably only have one winner, but that'll be at the end. So, first things first, we're going to get to some Falcon music. Their new album, Unicornography, came out today officially. If you're listening to this on the first day, if you're not listening to it on the first day, it came out before today, and you suck. So, check it out. First track, though, we're going to play a track off of the new album, Unicornography, and we're going to play the track, Blackout. So listen to it, enjoy it, and be sure to stay tuned.

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We are in the back room of the bottom of the hill, and we've got a number of different people here, so I'm just going to go, if you guys can go around and introduce yourself so I can be saved the trouble. I'm Toby, hi, checking in. Up next, we have Justin from West Virginia. That's true. Pretty good, pretty good. And technically, this is kind of a Sound Scene Revolution, punknews.org, double entendre, so I'm here officially this time, instead of just fucking around. So, Brendan? Uh, my name is Brendan, and I'm a huge international rock and roll celebrity. And I'm Neil.

Neil is similar. So we've got Brendan and Neil from The Falcon, of course, and Toby, you are from, just so you're not some random dude. No, I could be, and I am. Enumclaw. Yeah, from Enumclaw. Unincorporated South Bend County. Toby Jag is a, um, is a record mogul, and, um... Impresario. An executive and an impresario, only that he doesn't actually hold parties at his house, which is actually pretty crucial in the definition of impresario, so... I have had... You don't have parties at your house? Yeah, since when? We've all been to parties at your house. I had parties like parties of four, sleeping on the ground, but not so much like, you know, uh, revelries. I'm an enabler. I put out, uh, Brendan's Falcon record on Red Scare.

It's wonderful stuff. And I take in Toby's penis in exchange. So that's... That's a terrible contract. So that's how it came about. You, uh, were just huffing the dong one day? It's really more of an oral agreement that we have.

All right. So, I guess we'll try to... We'll do a couple of real questions to... Yeah, that's... To satisfy everybody. It's good to see that the, uh, the dignity of this whole thing is starting off on, uh... A high... Oh, trust me. I thought of one question, it's downhill soon. It's only downhill from now. Oh, no, he already introduced himself. Hey! I'm Neil, Shane! So, I guess the first question is, the original Falcon EP was the first Red Scare release, right? That's true, yeah. I think Brendan described it best as, like, uh... He said, remember, you know, when I called you and I didn't really have a band and you didn't really have a label, you know? And that was kind of true. It wasn't really a band and, you know, Red Scare wasn't labeled, but...

It was the semen that, uh, secretly snuck into the, uh, teenage girl to drive in that created the unwanted pregnancy that eventually gave birth to a whole bunch of things that are unsuccessful.

Wow. Jeez. One time. Man. Really? I think I'm wasting my five-star stuff here in this interview. Yeah, no shit. Once you get on stage, I'm gonna be... I'm gonna be sucked dry. Well, you should bring me on stage so you can... No, I mean, you're gonna... I'm gonna be sucked dry before I go on stage by you. Okay. So we should... See, it's happening again! Should we leave before that? No. No, no, no. Okay. No, we get photos. The listeners should appreciate, though, that you're very Essence. Some of your best shit is getting sort of fused, taken up by this. Yeah. I mean, hopefully when these people get back from the show tonight, we're actually gonna have to kind of make some pretty decent time because we've got a lot of songs to play tonight, so I'm not gonna be able to be quite as verbose as I sometimes like to be.

I've heard there's solo acoustic numbers. Oh, ho. There's acoustic guitar solos. Similar to solo acoustic numbers. Yeah. Red Scare 101 was the Falcon. Next question. Next question. Fantastic. So, to this point, how many records has the Falcon lost money on? Or not the Falcon, the Red Scare rather. Whoa, wow, whoa. Hey, see, that nearly knocked you out. Wow. He didn't think this was gonna be like a fucking Geraldo. Yeah, right. Kicks you in the dick for a couple minutes. And then expose shit. How many have you put out? Wow. I think it's all broken even. I mean, gosh. I think he's actually asking how many records he put out. I think he's embarrassed about the financial situation. Oh. Oh, I get it. That was a joke. He's turning around.

He's turning around. Look at it. No, no, no, it's good. He's like 6'9", and he's giant red. 111 is the Riptide, so there's been 11 releases. You know, three of them were reissues, two of the old Lillingheds records and the first NMU record, but yeah, eight new ones and three reissues, so. That's not too bad. You got a favorite of the bunch? Uh, no. Got one that you wouldn't put out again. I like Teenage Ball Rocket's record a lot because that was like a band that I kind of think we broke, even though it had, you know, Cody in the band and shit like that, but they, people loved it. It was a great record, and I kind of took a chance on it, you know? Mm-hmm. And because, you know, I had to pay for everything, and I'm glad it was received so well, so, I mean, it really did.

I kind of consider them like... I think you have to hold that microphone up to your face or it doesn't work. Okay. Like you're making love to it. Get it real close. Yeah. I think I like Teenage Ball Rocket a lot, but you know what I mean? They're all great. Like I was just, you know, the Methadones record, all of them are awesome, I think. Personally, I like listening to them, and I don't know. I think other people might, I hope. Very cool. Um, so... That's Brendan that question. What record do you like the best? Which of the Red Scare is your favorite? Turn that fucking phone off. I will choke you to death. Are you really answering the phone in the middle of an hour? Put it on the speaker, Lee. Put it on the speaker.

Who is that? Is it a pink razor? It is a pink razor. What's up?

And I'm watching you in San Francisco. No, I, uh... This part's going to be great to listen to you. It's so... I'll call you back later. You guys can edit shit, right? No, we can't. We can't. We actually voice over James Earl Jones and the finished product, so it's real nice. So, Brendan, tell me, if you had to pick a Red Scare release that you find the most... I'm going to have to say the Falcon because I've never listened to any other releases. That's well played. No, you guys... But I listen to that Falcon every day. Every day, three times, four times a day. I listen to it every day since it leaked on the internet. Seriously? Yeah, that's true, man. I was psyched. He was so excited. Soul Seeking. Man, I was like... I was the first person on a torrent.

Torrent? Is that a site or is that just a torrent? It's a site. It's a file that you download. Torrent is a site. I was the first person on a computer to... You and Al Gore, my friend. You and Al Gore. So, you guys got the new LP coming out. Is that next week that it comes out? Yeah, man. A week from yesterday. You have to have this transcribed by then. Yeah, we got to have it fucking ready by then. That's true. It's actually today. Yeah, it's today that it... So, it came out today. Ah, good. Hey, it came out today. A week in the future. Boy, is it great to go down to... I hear, man, that first week pre-sale was amazing. $400 million. No one could have guessed. So, it's coming out... It actually went babies. It's like gold, platinum, and then once you get to $200 million, it just goes babies.

Babies. It's the only thing more... They're priceless.

More valuable than platinum. I mean, that's what my great aunts always say when they see babies. They're like, oh, she's priceless. So, do they put a baby in a frame when they give you that? They smash the baby down and they press it between glass. The hard part is getting the album on the baby. They're making an album out of babies. Yeah, they have diamond though. It's $10 million. My mom got a lot of albums of me though when I was a baby. It's not that big. Well, that's good. I'm sure she loves you very much. See, this is word play. Word play. On Tundra. Would you like to have the mic for a while, Neil? Yeah, I'd love it. Neil's going to take my mic. Oh. Like the baton, please. You guys could share. I don't know if that has to happen.

All right, so maybe... Yeah, all right. So, the album comes out on Tuesday. Were you guys... Was it harder to record the whole LP as opposed to just what, the five song EP? Actually, recording the LP I think was significantly easier than recording the EP because when you actually... A lot more fun. A lot more able to express ourselves in the moment. Yeah, and I mean the big deal is... By the way, that's Neil's actual voice. Yeah, right? I only talk like this when I come from Brendan. Hey, I'm Neil! But, uh... But no, I mean... Recording the EP as you might imagine was rather difficult because we did it for free. And, um... We did this one for a little bit of money. Always nice. Yeah. Yeah, it all went to me because I was the engineer.

For $29.37. And, uh... Neil got every inch of it. Great tuna melt. It was a... He went and he got a... He got a fucking, uh... Toro tuna melt downtown at one of the fanciest restaurants. And, um... Hello? I'm sorry, there's someone... Hi. Would you like to come in? Yeah, that's right. Is that good? Back out slowly. Um... Literally, just... Just like you just... Yeah, um... So... So, yeah, this was actually a lot easier. I mean, obviously we had a lot more to do. We had a lot more resources to do it with. And, um... You know... What was that? Like a tiny little bag of heroin or something? No, just... Sorry. I pulled shit out of my pocket. Wow. I'm sorry you let down on that. That's how we get the good interviews. Um, so, uh... Is it can or cannot be edited?

Oh, it can't be edited. Don't worry. Anyway, um... It can be, but it won't be. Or not. Perfect. We go wrong. Yeah. Where do you think I'd buy it from? Come on, man. Um, so, yeah. I mean, like... There's a lot more stuff to do, but it was a lot easier. And it's like, you know... Neil and Dan and I are no strangers to being in the studio. It was really a remarkably great experience to be in the studio with essentially no engineer, which is not to take away from Neil's abilities as an engineer. But, like, it was just the band in the studio. And it was, uh... It was kind of like that feeling of the first time you drive your mom's car when you're 16. And you're like, holy shit, it's just you and me in the car and we're just cruising around.

You know? That's great. From my own personal experience, it was me and Chris and we drove out behind my high school.

And, um... There you go. Yep. I didn't have any Pepsis or smoke any cigarettes in the making of the Falcon album, though. Making it significantly better for me. Neil, what was your first solo driving experience? Go. I was just trying to think of that and I cannot recall. Was this your first record engineering experience? My first full-length, yeah. What have you done before? I did a Killing Tree EP. I did a... No, they're not a real band. What's up? No. They're not a real band? They don't count. Not anymore. No. Sorry, the reason I was laughing was because I just realized I was like breathing really heavily into the microphone. Oh, yeah. He's only amused by himself. I was just like... That's sexy. I like to keep going. Killing Tree EP.

Killing Tree EP. Yeah, I did just a bunch of demos and EPs for bands. I did the Holy Roll on Empire Sea. Yeah. I usually work with Matt and Matt Allison on a lot of stuff so this was my first opportunity to do everything from setting up the microphones to mixing and finalizing the master and everything. You got some good tones? Yeah. Pretty wicked tones. Well, you know... This is where Tobi ripped you for fucking up the air. No, no, no. No, no, no. You're mishandling the entire situation. He doesn't know what good tones even means. Oh. Oh, well. Well, I'll be. He thinks... When he thinks of good tones, he's thinking of chiseled tan men on Miami Beach. That's where I called you from, Miami Beach. What? Okay. I thought it was Hawaii.

I was... It was in the Pacific somewhere. Well. Well. Hello? That would be Hawaii. I did have a proper... No, I had a proper question. Go. Great tones. Go out great tones. That wasn't a question, but boy, do I regret bringing that up.

Truth be told. No, no. Oh, fuck. Seriously. It's in there. Okay. Yeah, next question. Yeah. All right, so I hope you guys figured out most of what that garbled mess was. We've got more coming up in a little bit. Before we do, we're going to play another track off of the Falcon's newest LP, Unicornography. We're going to play the Lazy Boy 500, even though it's one of the first publicly available tracks off of the album. It's a good song, and hopefully you'll enjoy it. So, listen to this, and remember to stay tuned for the end of the show when we will have a giveaway of Red Scare stuff, probably involving Falcon gear. So, stay tuned, and check out the rest of our interview talking thing.

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So, being that, I'll ask you now, because you engineered the whole damn thing. Sure. First LP, first real album, and it was your work. Was it more liberating to do that, or were you way nervous, like, oh God, if it sucks, I'm going to be the one who fucked it up? Yeah, I had moments. I had moments of sort of nervousness in between tracking and mixing, because we had four months in between. Right. And we went out on tour with the Alkaline Trio while it was on mixed, but tracked, and these kids would come up to me every day and be like, oh, have so much fun when you go home and mix the Falcon. And I'm like, man, I didn't, like, I don't ever really think about other people listening to it. You know, I always just think about being in the studio and doing it, and I started having these sort of late night anxiety attacks about these kids listening to my mixes being like, what the fuck did he do?

It sounds like terrible. I mean, I think it's also worth noting that we did, and I mean, I'm not trying to suggest that we really, like, subverted the idea of, like, you know, rock and roll recording by any means, but we did take some chances with some slightly bizarre sounds, like the main guitar sound that we went with on this recording was definitely weird. It's not something that I've ever really heard. I remember us not even, like, really doing anything to get it. We just kind of plugged in a guitar. And it's just like, it's just one of those things that, like, you know, there's definitely, like, a level of, there's definitely got to be a level of apprehension once you start doing things and you start laying down all these things, and, like, I mean, you know, I mean, from the guitar sound to the drum sound to the actual, like, style of, like, playing to, like, okay, all of a sudden I'm doing electric guitar solo over acoustic arpeggios, and I'm singing in falsetto, and it's like, we were doing a lot of kind of kooky shit on this record, and it's really easy to lose the sight of the big picture, especially after it's unmixed, and you're like, wow, I've heard this unmixed record like a million times.

Like, where's the real song? Yeah, like, what's it going to be? But it was great,

and it would come in and we would work through the song and give suggestions about backup vocals that should be louder or guitar parts that were, you know, too loud or something, and we sort of smoothed the whole thing out together, and I think that it really worked super well. Yeah, the mixing was a great process. I mean, it was just the two of us, and it's like, obviously, you know, we're sort of like old hats at working with each other, and, like... We pick apart songs just in the van, like, when we're listening to other people's records, how we would do it different or, you know, things that we like. You know, symbol, volume, and stuff like that. Give us an example of a band. Interestingly enough, I was about to say that every single band we listen to.

You know, it's very interesting that Neil and I actually wrote and recorded Miss Murder verbatim. It sounds exactly the same. The tones are all the same. All the lyrics are the same. And, you know, it's just a coincidence that AFI did it, too. Did you wear the same mascara? No, no, no. I didn't dress like a Jersey City whore when I did the record. Yeah, Shane! It can't be edited. Oh, that's Stan.

What song is this? I don't think I've heard it. It's AFI. AFI. My entire goal of this podcast is to get a letter from AFI's lawyers, actually. You already made fun of them once. Yeah, I've made fun of them before, yeah. It's kind of, it's our thing. Isn't that sort of par for that course? I'm not really making fun of AFI. I mean, you know, their band is whatever. It's like, if that guy wants to dress like a New Jersey prostitute, that's his fucking prerogative, you know? Yeah. I think it says something about you that you're okay with that. That's right. Yeah. Very nice. I fully support New Jersey prostitutes. In fact, you might say that I directly support them with my own... Your own funds. Well, funds. Technically, they've all been from Connecticut, but...

In one way or another. So as far as the one question I thought of, so you guys, are you guys angels in airwaves or plus 44 to the Lawrence Arms? Go. Because Chris is doing his solo project. That's true. Chris is doing his solo project. So are you angels in airwaves or plus 44? Well, I mean, we are angels in airwaves in that, I mean, I wouldn't say I'm so much Jesus as like maybe like a sort of new interpretation of Jesus. Like Dave Koresh? Jesus. Jesus too? I mean, like, you know, I mean to say, like it's like, it's like fucking that guy, he says he's Jesus and it's like, obviously, no, you're not Jesus. And I mean, you know, I feel kind of the same way about myself. It's like, no, I'm not Jesus, but I am very much like Jesus. Like Jesus. In that I am, you know, the son of God.

So I mean, I don't know, I don't know what that means. I mean, I think, I think we're somewhere in between plus 44 and angels in airwaves. I can, so are you going to do a rap side project with Tim Armstrong? That's really the meat of the question. We're trying to get Tim Armstrong. We can't. So far, Fred Schneider is penciled in for the B-52s and we've got some serious interest from that one, that slut from AFI, whatever her name is. Spinderella. I think she's dead. Oh, right. No, no. That was the Brad, wasn't it? That was left eye. Oh, left eye. I'm just kidding. I don't know anything about the virtue of that. That girl in AFI could be Toby's apartment. Oh. She could be completely virtuous. I don't know. Had her in her closet. His closet. Are we talking about women that Toby keeps alive in his closet?

Dead in his closet. Oh, dude. The question was answered. Dead in the closet. Fantastic. Man, this interview is shaping up to be just as funny as the last one that didn't ever see the light of day. Oh. That interview was amazing. Let me tell you people. At this juncture, something should be said about the flakiness of punk news staffers.

I was not a staffer at the time. You know, I do have to, well, never mind. No, come on. No. Get it. No. Come on. He was really fond of that interview. He still talks about it. I was really fond of that interview. Well, it's kind of like the... It's lost in the anus of history now. It's lost in the anus of Oh, the anus. Oh. All right, so, what's next? Let them in. All right. They can join in. More than married. Anyhow, so, you talked about the punk news interview that the bearded guy did here. I was just told, now, was that a falcon interview, the one you were telling me about yesterday? Yeah, the... You did an interview with a website called emotionalpunk.com? I sure did. I cried the whole time. I really like Andrew. I don't know the website. It may be a phenomenal emotionalpunk.

I read that interview. Well, it's the name of a fucking site. On the basis of the name. It's a site called punk news. What does that mean? Yeah, I mean, like, you know, off the hip, I would say it's about punk and maybe news. Well, but, sure, it sounds like kind of a straight-laced thing. It's like you get it on your porch on Sunday morning or something like that. Yeah, you know what, if I could interject here, it's easy to kick someone in the dick for what they named their thing, but, like, when you gotta slap .com on the end of it, it sucks anyway, so it's like, who cares? I don't really want to take shots. Ours is like 800 words long. Well, I'll tell you, what it comes down to is all the other fucking URLs are taken. I mean, it doesn't even matter. It's like, naming a website, seriously.

That doesn't sound lame. At the end, it goes .com and that makes it suck. There's .org. There's reasons that there's not more bands and book titles and TV shows with the ending .com or .org. What? It's just, it's just a wooden war. I will say, the last thing I'll say, the emotional punk interview is, I read it today, it's really, really, really funny. Is it funnier than this one? Yeah, that guy, Steve, did a good job. I farted twice. That was his first interview, too. I was actually irritated because I was reading it and I was like, shit, they got to him first. This is good. Now we gotta kill him. Pissed. Yeah, I'm gonna have to. After this, we have to kill you so nobody else can get it. That's how it is. After you play, you know. After that whole Santa Cruz debacle, we gotta get at least one show.

Hey, man, if it wasn't for Santa Cruz, we never would've sold out the bottom of the hill.

That was all the planning. It was just, we won't show up for Santa Cruz. You shouldn't have shown up today, you could have sold out like the Fillmore next time. I'm just throwing that out there. I don't want to think today would've been our last chance. Fuck those guys. People would've been like, fuck them, they're not showing up. So, I want to talk to Neil for a second because this is something that I've heard. Is it true you wrote the song Swing Life Away? No, not again. I've heard so many people say that. Is that something that you get asked? Tim wrote it maybe 80% and then we were just hanging out one afternoon and we finished it. He was like, you want your name on it? Well, we finished it, I helped write some lyrics and I did vocal melodies and stuff. You get a lot of people who assume you wrote that?

Yeah, because it got printed that I was the sole songwriter on the Pumpko's Acoustic Comp. It's written by Neil Hennessy. Interestingly enough, Neil wrote The Suffer and The Witness in its entirety. Completely uncredited. Sorry about that. Using nothing but a keyboard. It's alright. It happens. Do you get any revenue from that? Any royalties? No. Not a dime? But you're on the niche. You should write them. No, you have to be a part of a union to be on a major role. I don't get paid and I'm not a part of a union. As a union buster, Neil, I want to say your politics are right on. Your politics are right on. Thanks, Toby. Toby who picks up sound engineers outside of Home Depot every day. He's like, I'll pay you five dollars. You want to engineer an album? Come on. It's all good tones.

Those day laborers, phenomenal tones. Oh, that's horrible. I want to ask kind of a real question. So you guys have members from Alkaline Show, Lawrence Arms. Do you guys find you get more fans from either band or is it just kind of all new

where? It's kind of hard to determine. It's like when kids buy the record, I try as much as I can to be in the record store whenever a kid's buying one of our records. You do a pretty good job. I do an all right job. And every time they pick it up, I'm like, what is it that's making you pick up this record? Is it the guy from the Alkaline Trio that's in the band? Is it the guy from the Lawrence Arms? Or is it perhaps just that I'm standing here? Or was it like the great review that you read on punknews.org that gave it five stars? That was a great review. I didn't agree with the five stars, but it was a good review. I don't think it really got five stars. I don't think it got three and a half. So anyway, from the kids I've contacted, it seems like there's kind of a mixed bag. Most of them are just afraid because they're standing in the immediate vicinity.

Yeah.

So this was the first time you've played guitar since Baxter, right? Did you play guitar? On a record, yeah. I did some guitar playing on the Cardinal Sin record. Really? On the newest? Yeah, the Hurry Up and Wait. Hurry Up and Wait? Yeah, Great Flight. Did you engineer that? Did you work on that one? I did. You did? Yeah. That was a fun one. I actually, never mind, I saw them open for you guys in Columbus. Oh, yeah. Long time ago. In the Bernie's Distillery. Bernie's Distillery. Yeah, that's one of my favorite places. One of our collective favorite places to play shows, I think. Man, that's where Sean Nader stuck the pill up his ass and the roadie from the Blackout packed, fucked the mom. And she squirted all over their van because she was a squirter.

What? Take that, random mom. That was a one, two, three right there. I don't think there's any way to fucking talk. But that's also where when Nader tried to stick

and he said, I'll just wash it off and take it. No, he goes, the pill, I think it fell out of my ass. If you find it, give it to me, I'll take it again, but I'm not sticking it up my ass again. And I was like, you know what, the only thing may be dirtier than your anal cavity is, the floor of Bernie Distillery. I've done things there that you don't have on you.

smoke your ass just once. No, you don't. I've watched you stick things on me up your ass multiple times. You can eat it afterwards, but only up your ass. You mean everything once. Like, go through the entire catalog of the dictionary. Is this interview over?

We've got one last question that we've got to get to because everyone wants to know, is the Falcon ever going to tour? Well, we are certainly not ruling it out. It seems improbable that we're going to tour. Well, it's impossible for us to physically tour with the lineup that's on the record because it's a three-piece and it's definitely a four-piece band.

I'm interested in doing something and it's going to obviously have to be in a different sort of capacity than the way we

what I was going to say was only the most shallow fucks in the world wouldn't come just because Dan's not playing the fucking bass right? Jesus. He doesn't really do anything, does he? I mean, well, he does play the bass extremely well and sing extremely well and whoever fills his shoes has a lot to live up to and probably will do a piss poor subpar job but still how shallow do you have to be to not go see the piss poor subpar version of Dan very shallow We're doing a piss poor subpar tour it's called Better Than The Album The Falcon 2009 Can we have

how many years were you away from the ska and knocking on it I never knocked on ska I think you knocked on the ska in our interview that no one but me knows what it said so yeah I think in fact you had some words

popular pop punk ska I've said this before and I'll say it again popular pop punk emo but you're not going to make that good all the buckets of fucking Brewsters in the world aren't going to polish that turd so instead I chose ska I chose ska as my weapon ska as your weapon I sharpened and honed the tip and point of ska I got a text message that said hey Toby I have a really hot dutch friend that wants to get into the show can

super super duper thirsty and I gotta watch the draft are we done we gotta get him go sign off Neil sign off this is Neil I'll see you later don't make him all right so thanks for listening to the interview hopefully you got something out of it I know I think I walked away but a person anyhow like I said we have a contest to win some red scare gear red scare gear yeah that's right probably some stuff from the falcon so what you're gonna do you're gonna send us your name contact information email address anything that you think we would need to get a package to your house so that means if you live in the frozen tundra and you need special delivery information include that shit if you put fucking Dave and your phone number we're not gonna fucking call you Dave we're not gonna telepathically send you a fucking package so send your contact information in fact if we get your email address and you don't send contact information we're gonna sign you up for all kinds of freaky free porn that they're gonna send you every day so I hope you send us your work email address so you can open that shit at work and everyone at work can think you're perv so send us your name and information with red scare contest and the subject line and here's what you gotta do to enter the falcon's new LP is called unicornography kind of a play on unicorn and pornography what's a mythical animal you would like to see involved in porn whether it be sasquatch or the Loch Ness monster or you know the Easter bunny or if you know however it works so send that with your name and info to soundscenerevolution at gmail.com and we will pick a winner and in case you're curious my dog is gonna get a MySpace account so I'm gonna let you know when we get that posted so you can all be my dog's MySpace friend it'll be awesome anyhow rounding it out we're gonna play one last song from the Falcons unicornography we're gonna play the track when I give the signal run and then we're out for the week so I hope you enjoyed the interview it took a lot of time and effort to set up and hopefully you'll come back and give us money alright have a good one

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