Interview with Whole Wheat Bread - Podcast 63

This is Whole Wheat Bread. You're listening to Sound Scene Revolution.

Are y'all recording that?

What the fuck is Sound Scene Revolution, bitch? And this is Whole Wheat Bread. Bitch. Everybody do one. Yo, yo, yo. What's up, listening audience? This is Whole Wheat Bread. You're listening to Sound Scene Revolution. Bitch. Buh, buh.

♪ music ♪

What is going on? Sound Scene Revolution. I'm Rich and it is like either late July or August. I don't remember the day exactly but I do know today is a marvelous day that Fest 6 tickets went on sale. I have a hotel room thanks to the Fest because honestly I called University the Motel 6 where they're staying. And if you don't get the Fest package it's $250 a night because it's an event. And I will never ever pay $250 a night to stay at a Holiday Inn. Eh, maybe. I don't know. If I'm in like Baghdad. Anyhow. To share the wealth with you we're closing up two of our contests which are going to be the Mike Hale Contest and the Cobra Skulls Contest. We still have running the Asian Man CD Extravaganza which will run at least two more weeks.

Next week we're wrapping up the Asian Man interviews and so we'll probably run it one more week after that. Anyhow. Winner of the Mike Hale Contest for the Mike Hale CD and the Chuck Reagan autographed 7 inch is Kenan N. from Wallingford, Connecticut. Wallingford. I don't know. That's all I got. Uh, next up for the Cobra Skulls Contest the winner gets a copy of their Draw Muhammad CD EP and that is Daniel S. out of Sacramento, California which is, I actually almost saw Cobra Skulls in, uh, actually it was Davis but I was with a bunch of friends and they couldn't be distracted from their drinking to go literally three blocks down the street to see the Cobra Skulls and so I missed them. That's life. Anyhow.

We have a new interview this week. It's not Asian Man related but it's, uh, minority related, I guess, if you want to be a racist. Uh, we're talking with, uh, Whole Wheat Bread, all three members. We, uh, spoke to them outside of their opening gig for No Use for a Name down at San Jose at the Blank Club. Uh, talked to them about everything from past member Nick Largan to, uh, you know, being labeled a gimmick band for being black mostly to, uh, I don't know, their general feelings on being African American. It's a world I don't have a lot of insight into, um, some of my best friends are black, um, but we don't let many in the house. Um, mostly because they don't like us. I'm terrible. So, anyhow, we're going to, uh, go into a song before we go into the interview.

We're going to play, uh, 206. All the songs are going to be off the Punk Life EP because I had the Minority Rules EP but it broke. Uh, so, that's, or the Minority Rules LP. But, we're going to play 206 and then we're going to go into the interview and, uh, yeah. Oh, we have a contest. We have a contest. We're giving away three copies of the Punk Life EP so you could be one of three fantastic winners. Um, stay tuned, listen at the end to figure out how to enter to win. And, uh, this is 206.

♪ song played ♪

Yeah. So, uh, if you guys want to just go around and introduce yourself, um, what you do in the band, typical kind of stuff. What up, nigga? My name is Aaron. I play guitar and sing in this motherfucker.

Is your mic on? Check. We just didn't. My bad, my bad. I just flipped the switch. Stupid ass. Sorry. He didn't even have his damn mic on. I didn't want to take that one. How was it? Take two. Is your mic on? Oh, I turned my mic on. I'm a technical genius. Are we still rolling tape? Yeah, we're still rolling. We're good. Okay, yeah. I'm C. Jesus, a.k.a. C. Jizzle. Play the bass and, uh, backup vocals. What's up? This is Mr. White, folks. I play the fucking pigskins. All right. Sounds good. Um, so, I guess the first question, an easy way to start is, can you give me a brief history of the band? How you guys got started? All that? No. Aaron just got a phone call. Nah, fuck the phone call. We, uh, we, we got started playing some punk rock shit, man.

This, we just started, got, yeah, we got started playing some punk rock shit. Back in 85. Back in 85. How long have you guys been together now? Um, the way we are now, about a year. Uh-huh. Well, we've been around since, like, 2002, you know? So, we've been, and we've been around for, like, five years. That's cool. You know? All right. Um, now, I, I get a lot of people who ask, uh, about the name, uh, Hoey Bread. You know, is there a meaning behind that? Is there somewhere that came from? Or just, it's deep. It's real deep. Don't be alarmed. We're niggers. We're, we're black. There, that's the meaning. Oh, I had no idea. What was it, what was the, what was the story? Your brother said that, uh, chocolate cake was too gay, so y'all went with Hoey Bread.

Yeah. Right. Exactly. Chocolate cake was too gay. Yeah. Chocolate cake was too gay. I think that meant, I can go with that. Or should I say sweet? Too sweet. Too sweet. Too sugary of a name for a punk band. All right. Um, I want to just kind of get this out of the way, uh, because I haven't had a chance to talk to y'all before this. It's been, uh, in November, uh, Nick, former bass player, was convicted of armed robbery, correct? Correct. Was it November? No, it was like, uh, um, two weeks ago, a year ago. Yeah. Yeah. No, when he was convicted, not when he was, uh. Oh, wait, what are we talking about? I'm stoned. Well, that's when it happened. That's when everything went down. Yeah, that's when the, yeah, the robbery happened like two weeks ago, a year ago, but he was convicted, yeah, probably around that time.

Probably around November. Yeah. Now, how has that impacted you guys? Do you guys get a chance to visit him all or anything like that? Do you guys still talk with him or anything? I've talked to him in letters. Joe's gone and saw him a couple times, right? Yeah. Well, I've seen him one time. I mean, that's my brother. I've talked to him a bunch of times on, uh, like, um, in Jacksonville. He'll call, and I'll go over to my parents' house and talk to him. Yeah. And, uh, uh, we got to visit him one time on the road, but, I mean, he always writes in letters and he was always calling, and it's like, his spirits are high, you know, but, like I said, that's when we got CJ in the band, and pretty much we never, we didn't even miss a show, you know, and, like, CJ picked up everything, learned everything real quick, and, I mean, as far as it impacting us.

Of course, it takes a little time to get acquainted with a new member, you know, but, I mean, he's a really cool guy, and we all just got along really well, and it came together really, really quick, you know, so we really never missed a beat.

Well, so, yeah, you've been playing with CJ for about a year now, and was he, you guys did the Punk Life EP that came out in 2006, did he play on that, or? No. No? Okay. I just, I don't know yet, so, trying to get that, uh, together. Now, on that EP, you guys did three of your own songs and three cover songs on that, right? Yeah. Now, how did you guys just choose what songs you wanted to cover on that? Was that just one of those ones where you were, like, what you're listening to at the time, or you guys have a vote on that?

Well, I wasn't there, so. I mean, pretty much, yeah, it was some shit that, like, I just, we kind of just played for the hell of it, you know, just, like, playing that shit for the hell of it, and then it turned out to be tight. Yeah. Like, we started playing this shit on tour, and we were, like, you know what? Like, people would probably want to hear that shit, like, wish they could have that shit on CD, because it turned out to be, like, tight live, so we put that shit out. That was the main, the main emphasis behind that whole punk live CD was the cover songs, you know? Yeah. But we just wanted to show, you know, we still are a punk band, so let's put some punk songs on there until the real album comes out, which is about to come out in the fall of this year.

Yeah, it's coming out in the fall. Is there a release date set on that, or nothing yet? No. No, but it'll be out, though, for sure. Cool. Now, I heard originally, now this was before the EP had come out, that there was talk about this was going to be a double CD where it's going to be one half, like punk rock, one half rap. Is that going to happen, or...? No. No? But there's going to be some rap shit on there, but it ain't going to be half and half. Not going to be half and half? No, but there's some rap shit on there. It's still going to be mostly punk, you know? No. Now, obviously, one of the things that seems to happen is a lot of people seem surprised by the fact that there are, I mean, you know, CJ over there joked about, but people do seem surprised that there's a black band in punk rock.

You guys, now, obviously, you've been around for about five years, so you encounter less of that, but has there ever been, like, anything where someone was, like, just shocked that you guys were just playing this kind of music in general? Yeah, all the time. Yeah, all the time, except for last night. Yeah, yeah. Last night was the Afropunk joint, which is in New York. It's actually in Brooklyn, and it's pretty much that whole thing where, like, you know, you go to a punk show, and you see, like, three black kids in the show, usually, but this is where the scene is flipped, and it's, like, all black kids are like punk, you know, but they made a scene for themselves, you know, where they can go, and there's black kids, and they can, you know, relate and stuff like that.

But a lot of people are surprised, but, I mean, I don't know. It's nothing really that crazy, you know what I'm saying? It's like they created rock and roll, and then Elvis stole it. That's what I think. Yeah. But, um... Well, that's the thing. People do get shocked, you know, but I think it adds to the show, you know, it's something new, you know. All right, right on, right on. Now, I don't know, it seems like it may be something that's isolated to kids who sit around on the internet, but a lot of people seem to think that, not a lot, but you get people who criticize, say you guys take advantage of the fact that you're black, and you have it, like, on t-shirts that say, like, I love black people. And, I mean, do you think that it's something that you do kind of play to your advantage, or is it just, like, there's so little of it that, you know, middle America white kids are aware of, that they see it as kind of taking advantage of?

Well, yeah, it's one thing to have it on a t-shirt, but it's like, if you buy a Holy Bread CD, it doesn't say that shit, like, on the CD or in any song. It never ever says, I love black people, or any song, you know. It's just like a funny-ass, it's like a funny-ass shirt, you know. Yeah, it's like if you go... It's the same thing, I mean, we might play on some shit, like, kind of being urban, or even, like, kind of, like, kind of, some people think we look like thugs, you know what I'm saying, but it's no different than, like, any punk band that sings songs about being Irish. We don't even sing songs about being black, but we look that way, I mean, you know what I'm saying, so it's just like, but some bands go all out, I mean, everything is covered in four-leaf clovers and shit, you know, but you just gotta use what you got, like, there's like a lot of Spanish sky bands and shit, and they, a lot of their shit's like, they sing songs in Spanish and shit, you know, I mean, you just gotta do what you do, do your shit, you know.

Cool, I can respect that. Um, I gotta ask, I was, uh, looking around on your guys, uh, like, web page and your MySpace, and you got a video for, uh, No Problem With, uh, looks like it was edited by, uh, it's a Muppet video of sorts, and it looks like it was edited for that video. Now, who did that? Where did that come from?

That was just some, some, some guy, um, I really don't know his name, but he just made the video and sent it to us, and it's like, hey, check this out, I, I made this, you know what I'm saying, I guess it was just a fan, you know what I'm saying, and we liked it so much, we just put it up, you know, and, uh, just seemed like a really cool, uh, concept that he did, you know, with the whole Muppets and everything, it was really quite unique. Yeah, it seemed to take some dedication to do something like that. Yeah. I was pretty impressed with the way it, uh, seemed to sync up, so, I thought that was pretty cool. Yeah, he did his thing. Um, so, you guys recorded for the new album, and you guys were in L.A. for that?

For, like, some, for some of that shit. For some of it? Like, where, where all was it recorded, like, in general? Pretty much, most of it was in Florida, it was in Orlando. Yeah, Orlando. For, um, Fighting, or the Cell Studios. Yeah, the Fighting Records Studios. Fighting Records Studios, but. Fighting Records Beat Your Ass Studios. Yeah, yeah, yeah. But then we finished, we did, like, the rest, like, last two weeks of just, like, tweaking it in L.A. at, um, the producer's spot. Right on. And, um. Now, uh, it was there that, uh, you guys did some work with Little John, is that correct? Correct. In L.A. In L.A.? Now, that. Yeah! What?

Now, how did that come about? I mean, I've heard, he heard of you guys, and he asked, you know, like, contacted you, but do you know how he, like, heard of you or anything to that effect? Yeah, because, uh, we, on the, it had a lot to do with the EP we did. You covered his, uh, you covered his tracks. Yeah. You know, and we had to get clearance from him, and all that other shit, you know what I'm saying? So, somehow, he, he got a word of it, and then when he actually, I guess he heard about it, like, on MySpace, and I guess, uh, it was all through MySpace, pretty much. That's how we got his contact info and shit. Really? Yeah, yeah, yeah. Yeah, check that nigga's top eight. Me and it. That's crazy. Power. Yeah.

I think, yeah, he put us on his top eight, and then we found that shit out, and a bunch of kids, like, just started sending the message, like, yeah, holy bread is this shit on MySpace, and then he just hit us up, like, since he did that, you know what I mean? And we couldn't believe it was him. Yeah. It was him, though. So, if y'all go on MySpace, that really is Lil Jon. Holla at your boy. They usually, most people have, like, fake pages up there and shit, but it was really his. Tell him holy bread said what's up.

So, when you guys worked with him, was it for his album or for your album that you guys were working with him? We worked with him for both. Oh, for both of them? Oh, right on. So, there's going to be some of him on your album, and then some of you guys on his upcoming album? Si, Senor. Si, Senor. Wow. That's crazy. What was it like? Because I imagine, like, you know, you guys tour around in a van and, you know, play shows at night. I imagine his studio budget's probably a little bit bigger, because, you know, no offense, he's Lil Jon. What was that like, that experience? I mean, we were at Henson Studios in L.A. for, like, a week, and, you know, it's a totally different, you know, it's a major label budget, and Henson is, like, fucking top of the line studio.

Yeah. We were also out in Vegas, too. Yeah, in Vegas at Palms. Oh, wow. For the Palms Hotel, which is fucking crazy. They got some stories they can tell you. I wasn't there for all of that. I was there for, like, maybe one session there. It's pretty much like every, like, exactly what you'd think it would be, like, going in the studio with, like, somebody like Lil Jon. Or, like, anyone who's big in the industry, you know. You used to tell him how, when we recorded, when you partied with him, how bad Joe was throwing up the next day. He was fucking shitting and throwing up simultaneously at the same time. It was crazy. He's, like, sweating all hard. He's in the van all sweating. We got to stop. Pull over so you can throw up and shit.

Tell him how the golf cart. Sweat's just pouring off his face. Yeah, we also had to carry Aaron to the room, too. We just skipped the whole golf cart thing. We were partying with Lil Jon. Next thing we know, his security guard comes over and is like, hey, you guys need to get your boy because he's sleeping. And so, like, we went over there and his ass was drunk as fuck and we had to carry him all the way back to the room. But then, yeah, the next day I was shitting and puking at the same time. That shit was pretty fucking, you know, we partied pretty fucking hard. Lil Jon partied. And Lil Jon's, like, a little dude, right? He's not, like, real big. That's why he's called Lil Jon. And he can party pretty hard, it sounds like, for a little guy.

Yeah. He can hold his own. He's one of my town, niggas. Whatever.

All right, we're going to take a quick little break with a whole wheat bread interview. Remember, if you want, at the end of the interview, we are giving away three copies of the Punk Life EP. They had a new LP coming out, I don't know, sometime in the fall, but they didn't know when it was even going to be released. So, we obviously didn't get any copies of that. But, you know, three CDs, that ain't bad. And if we only get one guy who enters, we'll send him all three CDs and he can figure out what the fuck he's going to do with them all. Because I don't like whole wheat bread enough to have three of one album. That's just how I roll. We're going to play one more song, or another song, rather, off of the Punk Life EP.

We're going to play Symbol of Hope, get back in the interview, and be sure to listen to Figure Out How to Enter to Win, and all that good shit at the end.

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Is that true? I had read that somewhere. Yes, we did. That is 100% correct. That and we're at Merce. Should we not talk about that? Yeah, we worked with them. Yeah, we worked with them.

So how did that go? It was like... Basically, we did a cover of a rancid song. I'm not gonna say what song. It doesn't really matter. And we did that for his record. Potentially for his record. I don't know if it's going to be with the deal. I saw one more of the tracks on our song. On our record. Oh, wow. That's pretty fucking banging. Yeah. So, yeah. Oh, yeah. Oh, yes. You didn't remember that? Yeah. Merce is that, nigga. There's no fucking confidentiality about it. Yeah, he's on the record and shit. You didn't remember that? My mind was just thinking about what we had did for him. I totally forgot that he had worked with us, too. Because we, you know, it was like both ways. Whatever. Yeah, it sounds like there's a lot of trading off for this album.

A lot of you being on other people's albums, a lot of them coming in on your stuff. Yeah. Well, only two people. Yeah. This Lil Jon and Merce. Still, though, that's a lot more than you're going to find on, like, you know, Catch-22 album or something. I'll think Lil Jon is going to be on a Catch-22 album. Can you go, KG? Maybe. I don't know. But, so, potentially, do you know how long, like, how many tracks, what's going to be on the new album type stuff? There's like 14 songs on there. 14 songs, 45 minutes long. A variety of a bunch of different kinds of shit. There's fucking hardcore Dirty South punk rock songs. It's fucking everything. Acoustic songs, fucking some shit. You'll never think Holy Bread fucking was capable of.

You'll see it on this album. Yeah. And you'll fucking love it. Everything you want, we'll give it to you. Yeah. For Shizzle. I couldn't even, I didn't even hear what he just said, so. For Shizzle. Oh. I believe it was For Shizzle. For Shizzle. My Nizzle. My Nizzle. Uh, so, I've noticed when you guys come through on tour here a lot, it seems you guys play, you've played with, like, a lot of Scott bands, like Catch-22, Streetlight Manifesto. KG? I think you've come through with less than Jake. I don't know. No, we haven't. No? All right. Well, not less than Jake. But at least the other two. Yeah. Now, how do you get? Real big Fush. Man, um, so, is it weird at all? Because you guys, I mean, you're obviously not a Scott band in any sense of the word.

Is it weird to play with those bands? Do their fans react, like, a lot at all? Scott, those kids go off, man, because they just like different shit, you know? Like, they love something different. They've always gone off, you know? It's kind of, it's great going out with them, but you don't want to get stuck and, like, locked in the Scott scene, you know what I'm saying? Like that. Like, I like Scott, you know, but, you know. A lot of Scott kids aren't really, like, anti-punk either, you know? Like, they're kind of, they're open to the punk shit, you know? Yeah, yeah, yeah. Yeah. And plus, they're, like, really young, you know? Like a show we're at tonight, it's 21 and up, and there's still a lot of people in there.

Yeah. But, like, Scott shows, it'll be all, like, kids. But it's cool, because you can catch them at a young age, and they might still be coming out, like all these older kids coming out now to come see, you know? Yeah, yeah, yeah. So, it's kind of cool in that sense. Plus, our booking agent is the trumpet player for Catch-22, so. Oh. I suppose that helps. You got the, the Scott connects. Yeah. How do you hook up with the trumpet player from Catch-22? Uh, I don't know. I used to sell rocks to him back in the day. And then we put him on the street. That's a solid connection. We put him on the street, turn the tricks. It's all paying, it's all paying off now. What happened to this girl? What is it? Passing out. The girl just passed out outside the van, sorry, I got distracted.

As long as she doesn't spit on the van, she's all right. Yeah, don't be spitting on the van. Hope. Didn't you just call her? Just call that poor passed down chick a hoe. Rufless. All right, now you guys have been, you guys, one of the things is, you seem to be an intense touring band. You play live, like, almost all the time. Has there been, like, one experience that you say has been your best, or something that just kind of, like, you know, reminds you of why you do this at all? Yeah.

What is that? I don't know, he's just like, yeah, I'm sure there is. Yeah, yeah. Anything you'd like to elaborate on? I'm sure we all got different ones. It's like, I mean, it's all kind of shows that are tight, you know? The one that sticks out to me the most right now is fucking a show we played in South Dakota. South Dakota, what show was that? Yeah, South Dakota was off. It was Grand. Was it? Yeah, what the fuck, man? Was that town? It was some bumfuck town, but, I mean, like, the kids had probably hadn't had a band out there in so long, and it was with, was it with the Souls? It was with the Soul. And, I mean, like, they just went off, you know? Like, they really were, like, glad to see some people. Especially some black people.

Like, there was none. I mean, there wasn't even any Asian people or Spanish people. It was all completely white people, man. Were they surprised? Like, what happened to those guys? They look so different. Like, Paul, look at this boy. He's from Florida. They look like Florida. The show last night stood out, too, pretty much. I mean, it was the first time we'd ever played, like, in a room full of fucking black people, you know, like, it was different, but it's, like, the energy is just the same as any other show. Yeah, not just, like, just black people, but black people that were punk and the moshing and, like, into the whole music and the scene and stuff. And Bamboozle was fucking crazy, too. Yeah, Bamboozle, we did a thing with old school rapper Rob Bass.

You might remember him from such great hits as, I want to rock right now. I'm Rob Bass, and I came to get down. I'm not internationally known, but I'm known to rock the microphone. It's fun, because I get stupid. I mean, outrageous. Stay with me, because it can be pages. And that was pretty fucking, that was a lot of fun. That's the only rap verse that Joe knows. And get this, he didn't even know who the fuck, whose verse it was, and his name is in the verse. He didn't even know it was Rob Bass. He thought it was raw bass. Yeah, I thought, I thought he said raw bass. But then again, I used to listen to, like, Vanilla Ice and MC Hammer, too. Those were my dogs. Hey, Joe has a badass MC Hammer dance, so if you ever see Joe on the streets, say, look, bust out the Hammer dance.

Kids, get them to do it. I'm going to have people at your next show scream, do the Hammer dance. Have them, man. The name of the dance is called the typewriter, man. There's a name of the dance. It's called the typewriter. Now, that's the one where you're, like, kind of the side to side. Yeah, where you go from side to side. It's called the typewriter. I didn't know there was a name for that. I just always knew it was called the Hammer dance. It's called the typewriter. I thought it was the Hammer dance. I call it the Hammer dance. Yeah, the Hammer pretty much made that his, man. But I'll make sure. Next time you guys come around, I'm going to try and get as many people as I can to be like, do the Hammer dance.

Yeah. Hammer was at Bamboozle, too. He had, like, 30 dancers on stage. He was a pimp. Was it? Yeah, now, he's playing again, isn't he? He's, like, doing some shows and shit. He did all that shit. He did We Got to Pray. Didn't fucking legit quit all that shit. That's it all. He's bringing it back old school. Coming from Oakland, like, I'd like to see him again. But I never got, because I was, like, 10 or something when he first came big. And then he went bankrupt. So. I could die happy, man. I could say I saw him live in the flesh. Vanilla Ice needs to make that comeback. Old school Vanilla Ice. Not the new metal fucking Vanilla Ice. The real. Vanilla Ice still plays music. What other Vanilla Ice is there? It's just really shitty.

He needs to pull out the tracks and the DJ and then pants and that fucking. The big flat top. Get some dudes dressed in some Ninja Turtles costumes and play that. Go Ninja. Yeah. Go Ninja. Go Ninja Go. I think. Straight from the mouth before we bring it back. If I ever get the chance to talk to Vanilla Ice, I will pitch that ID to do him. But I don't think he doesn't seem real receptive on stuff like that. But. Yeah. See what we can get. So I want to ask because you guys are obviously a lot more hip hop influenced than a lot of punk bands. I was reading, I think it was on one of your MySpace blogs, talking about how it seems like rappers spend a lot more time in the studio and rock bands spend a lot more time touring and on the road.

If you had a choice between like one of those two, would you rather spend more time on the studio or are you guys happy being on the road as much as you are? Is that your preference? I definitely like being on the road. I mean, studio, it's like you go in the studio to, I don't know, to me, when you go in the studio, you shouldn't be in the studio for like months. Like as far as like being in a band, it's like creatively, like creativity, well, creatively wise or whatever, like you, I don't know, like every studio experience we've had, it's been about three weeks, you know what I'm saying? Three weeks to a month. And you just have to like pull out everything you have and make it the best you can, you know?

And it's just like, you get on the road and that gives you a chance to show the people what you're doing, you know? It's definitely more fun to be on the road, like meeting people and playing shows, getting new fans, you know, than like being in the studio. But studio is fun too, but I don't know. I like the road. What about you guys? I like the road, I like both. I love being in the studio and just being alone and being able to work on music and, you know, chilling with the band. Although we spend pretty much fucking 24, 7, 365 together. But I don't know, it's a mix. It's a mix of both. I like getting out and meeting people too. Well, Aaron? Yeah. I like both of them too. They both, I mean, they both got its ups and downs, man.

And like, being on the road is tight. That's good though. It's probably best if you like both in order to play in a band and kind of suck if you're like, oh God. Aaron just summed it up like a motherfucker. Yeah. Being on the road is tight. Being in the studio is tight. It's all tight. That's going to be the sound bite that we pull from this. Yeah, just cut that. You don't even guys put what me and Joe said. Just that part right there. That's perfect. All right. We're going to wrap this up. Anything else you guys want to say before we go? So, anything you want to plug? Anything like that? Yeah, come out on the road and see us, man. We're going to be in your town with no use for a name. Fucking flatliners. Come out and buy some merch and hang out with us.

Smoke some herb. Yeah. Shoulders, chest, pants, shoes. Shoulders, chest, pants, shoes. Yeah, yeah. And look out for the new record in the fall, y'all. Yeah, check out. It's going to be a fucking banger. Check out our website, wholeweekbread.net. And our fucking MySpace page. Hit us up. See what's up. But most importantly, come out to the damn shows because fucking this shit, people like us, all your favorite bands wouldn't be here if it wasn't for the fans, you know. So, come on out and show some support. And rock the fuck out and fucking smoke us out. All right. Sounds good, man. I want to thank you guys for taking the time. And all the best. Thank you, man. Peace out.

All right. So, that's going to close up the interview for this week. Hope you guys enjoyed it. Hope you were enlightened by what Whole Wheat Bread had to say. Contest this week. Three copies of the Punk Life EP to give away. Oh, first of all, we will still be running the Asian Man Contest. That'll run for another couple of weeks. So, if you want to enter that, listen to the Lawrence Arms interview. That'll tell you how to win. Also, Soundgain Airmen followed up on, I believe, all the prizes that are currently out there. The two people that just won the Mike Hale and the Cobra Skull stuff, we are moving all of our shit. So, they're in packing boxes right now, but we will get those out to you as soon as possible.

So, everyone, there's no need. We can call off the prize jihad on Soundgain Airmen. We can lower it now to just regular Crusade level, which is nice. Children's Crusade, even. Because they're small. They have tiny fists. They don't hurt as much. And you can put more of them, like, in a tank. So, if you're ever looking for warriors, kids. They're good. They're cheap, too. Awesome. So, the Hoey Bread Contest. The way it works, send us an email. Hoey Bread Contest. Send that to soundseenrevolution at gmail.com. Send us your name and information. I know for a fucking fact some of you people didn't pay attention to the fucking Asian Man Contest because you didn't send us your fucking information, none of your fucking mailing addresses.

We can't fucking scan you a CD. We can't fucking send it to you via telepathy or any shit like that. We use the fucking post office like every other normal human being. So, unless you want to come to my fucking house and pick up your prize, which I'm totally not giving any of you my fucking address because I don't feel like getting raped in my sleep. Just give us your address and we'll rape you in your sleep. That said, send us all your information and answer the following question. Hoey Bread was named as such to signify that they were a black man. When we talked to him about it, who was it? I don't know. It wasn't Nick. It was the other guy. It was Aaron. Aaron said that they chose Hoey Bread because Joe said chocolate cake was too gay of a name.

So, what name would you do to signify your ethnicity? For example, I'm Italian. I would go with Greasy Wop Meatball Sandwich because I think that signifies my nationality pretty well. Sound Guy Nairman is Asian, so he would go with Greasy Curry Fart, I think would signify him. That's a food that would signify Sound Guy Nairman pretty well. All right. I'm glad we handled that. So, send that in, whatever your nationality may be, and a food that describes it if you're, I don't know, American, Budweiser, or something white trash. That wraps it up. We're going to play one more song off the Punk Life EP. We're going to play Never Scared, Scurred, and that'll be it. Next week, we'll have some more interviews and more contests and all that.

Enjoy. Enjoy. We'll be right back. Yeah.

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